College Of Music Department Of Composition

College/Department info
Dept. location
Phone 02-2220-1250 Fax 02-2281-9490
Email / music@hanyang.ac.kr
Homepage
SNS

Introduction

The Department of Composition is a department that cultivates composers who create music as pure art and nurtures musicologists who study music theory and history as an academic approach to music. The department pursues artistic ability that understands music structure and composes music and aims at advanced music theory and aesthetics by learning composition and music theory.

The Department of Composition is largely composed of composition major and theory major, and it aims to cultivate professionals who can efficiently perform in their major fields by intensively training compositional music theory and music theory by each major. The department trains music theorists and music educators who can raise professional composers with aesthetic aptitudes and meet various societal needs, computer music professionals who will lead the multimedia age, and artists who can serve the community, the nation, and the human society. Through this learning, the composition department cultivates professional composers who will raise the level of culture and arts and develop the lives of modern people.

Information

Highlights

Specialized in contemporary music and electronic music
In Hanyang University Department of Music, students are able to learn musical expression of various fields and times. Among them, education is being offered by specializing composition technique of post-20th century electronic music and modern music with centering on modern music teaching method since the 20th century. In addition, the Department of Composition is contemplating and education the globalization of Korean modern music, which creates music by incorporating Korean classical music through contemporary musical expression. In 2014, IRCAM of France's Pompidou Center, the world's leading electronic music organization, and CREAMA of Hanyang University Electronics Music Institute jointly organized the First International Ircam Forum Workshop to raise its international status. The Hanyang Contemporary Music Biennale will be held.

Music library and material room located in the building of the music college
The music library and music material room located on the second floor of the 2nd Music Hall has a large number of musical pieces such as music scores, DVDs, CDs, and music monthly magazines. There are about 10 seats available for viewing DVDs and listening to CDs, 4 copying machines for copying music scores, 10 PCs for searching materials, and 30 PCs for music programs.

Outlook

Outlook
Professional musician Composer, musicologist, music theorist, conductor, music director, music coordinator, sound designer, performance organizer, etc.
Press and culture Music producer, music critic, music PD of broadcasting station, etc.
Academy and education University professor, music therapist, middle and high school music teacher, practical training teacher, music school lecturer etc.
Company Internet sounds, smartphone sound, game music, sound designer, etc.
Faculty info
Songtaik Kwon

Songtaik Kwon / Professor

Rhee, Kyungmee

Rhee, Kyungmee / Professor

Jongwoo YIM

Jongwoo YIM / Professor

Richard Dudas

Richard Dudas / Associate Professor

Kyung-Young Chung

Kyung-Young Chung / Associate Professor

Keun Hyoung Lee

Keun Hyoung Lee / Adjunct Professor

Hong sung ji

Hong sung ji / Adjunct Professor

Kyungmi Park

Kyungmi Park / Adjunct Professor

SUH SOON JUNG

SUH SOON JUNG / Adjunct Professor

Cheon Wook, Kim

Cheon Wook, Kim / Adjunct Professor

YOO JUNG EUN

YOO JUNG EUN / Adjunct Professor

Song Se Ra

Song Se Ra / Adjunct Professor

Jang, Eun Jee

Jang, Eun Jee / Adjunct Professor

이수민

이수민 / Adjunct Professor

KIM MOONCHA

KIM MOONCHA / Emeritus Professor

Kyungsun Suh

Kyungsun Suh / Emeritus Professor

Yi Zong-Gu

Yi Zong-Gu / Emeritus Professor

Jae-Sung Park

Jae-Sung Park / Emeritus Professor

College/Department curriculum
Year Term No. Curriculum Course Credits-lecture-experiential learning  
1 1 CMU1001 Major 1 Compulsory Major 3-0-1
1 1 CMU1011 Chorus 1 Compulsory Major 0-0-4
1 1 CMU1021 Performance 1 Compulsory Major 0-0-1
1 1 CMU1041 Sight Singing and Ear Training 1 Compulsory Major 0-0-2
1 1 CMU2031 History of Western Music 1 Compulsory Major 1-1-1
1 1 COP1006 Harmony 1 Compulsory Major 2-2-1
1 1 COP1051 Keyboard Harmony 1 Compulsory Major 0-0-2
1 1 COP2001 Counterpoint 1 Compulsory Major 2-2-1
1 1 GEN0001 Genral Ethics 1 Elective General Studies 2-2-0
1 1 GEN0003 Korean Compulsory General Studies 3-3-0
1 1 GEN0021 English 1 Compulsory General Studies 3-2-3
1 1 KTM1019 Korean Music Theory 1 Elective Major 1-1-1
1 1 OCH2005 Special Instrument 1 Elective Major 1-0-1
1 1 PNO1001 Piano 1 Compulsory Major 1-0-1
1 1 CMU1001 Major 1 Compulsory Major 3-0-1
1 1 CMU1011 Chorus 1 Compulsory Major 1-0-2
1 1 CMU1041 Sight Singing and Ear Training 1 Compulsory Major 0-0-2
1 1 COP1008 Harmony & Keyboard Harmony 1 Compulsory Major 2-2-2
1 1 COP1010 Secondary Instrument 1 Elective Major 1-0-1
1 1 COP2001 Counterpoint 1 Compulsory Major 2-2-1
1 1 COP2003 Instrumentation 1 Elective Major 1-2-0
1 1 GEN1025 English Compulsory General Studies 3-3-1
1 1 GEN1029 Introduction to Data Processing Compulsory General Studies 2-1-2
1 1 GEN1093 Practical English Conversation 1 Compulsory General Studies 3-4-0
1 1 GEN3071 Critical Listening 1 Compulsory General Studies 1-0-2
1 1 PNO1001 Piano 1 Elective Major 1-0-1
1 1 0000001 General Studies by Area 8-8-0
1 1 CMU1011 Chorus 1 Compulsory Major 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
1 1 CMU1041 Sight Singing and Ear Training 1 Compulsory Major 1-0-2
CMU141 Sight Singing and Ear Training 1 Systematic training in intervals, rhythms, and solfeggi; ear training in melody and harmony. Mostly based on diatonic scales.
1 1 COP1010 Secondary Instrument 1 Elective Major 1-0-1
Second Instrumentation 1, 2, 3, 4 Instrument instruction for composition-major students. Any instrument except piano may be chosen by the students: intends to enhance compositon-major students?understanding of and proficiendy with string and wind instruments.
1 1 COP1051 Keyboard Harmony 1 Compulsory Major 1-0-2
COP151 Keyboard Harmony 1 Keyboard skills are emphasized, focusing on tonal harmony and including diatonic harmonic progression and realization of figured basses, as well as other harmonic movements applying more basic progressions and diatonic modulation.
1 1 COP1057 Music Literature 1 Compulsory Major 1-2-0
This course studies musical styles in chronology and genre, performance practices, Notation and Terminologies. Theories for pitches, such as interval, scale, tonal harmony and counterpoint are excluded.
1 1 COP1059 Composition Major 1 Compulsory Major 3-0-1
CMU 159 Major1 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
1 1 COP2017 Tonal Harmony 1 Compulsory Major 2-2-0
COP217 Tonal Harmony 1 More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies
1 1 COP2021 Sixteenth-Century Counterpoint 1 Compulsory Major 2-2-0
Counterpoint 1, 2 Studies of various techniques of modal counterpoint in the sixteenth-century focusing on the works of Palestrina. Vocal fugues are also studied.
1 1 CUL0017 Computer Music Compulsory General Studies 2-1-2
This course focuses on the basic structure and function of computer. Through actual practice, the ability to utilize computer is developed and general understanding of computer music and basic application method of musical software is acquired. Understanding of computer and utilizing ability of computer music software is developed with practice on clear voice, law of harmony and counterpoint enabling easy management of other courses' assignments while adapting to each courses characteristics, helping each student in their majors.
1 1 GEN1093 Practical English Conversation 1 Compulsory General Studies 3-4-0
GEN 193 Practical English Conversation 1 The objective of this program is to develop communicative competence and motivation to communicate in English both inside and outside of the classroom. The rationale for the program is basically to provide students with a sound opportunity to develop the 4 language skills: listening, speaking, reading and writing. The proposed program combines spoken and reading components in a single class format with clear emphasis on spoken English; it utilizes a communicative approach, targeting spoken language skills in conjunction with reading skills, and reserving writing for homework (although minimal writing will be done in class). The 4 language skills will be integrated witin a well-conceived spoken English program which emphasizes speaking time in class.
1 1 GEN3071 Critical Listening 1 Compulsory General Studies 1-0-2
Students participate in regular, weekly, student recitals as critical listeners and criticize fellow students' performances verbally or in writetten form. Students will have more professional experience through theses processes which can not be experienced in the classroom or in the individual lessons. Students majoring in composition are given the same responsibility , but the criticize students' original works presented at the composition recital.
1 1 PNO1001 Piano 1 Compulsory Major 1-0-1
Required for students who major in Orchestral Instruments, Voice, and Composition the basic fundamentalsof piano playing, indispensable to every musician, are studied.
1 1 CMU1011 Chorus 1 Compulsory Major 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
1 1 CMU1041 Sight Singing and Ear Training 1 Compulsory Major 1-0-2
CMU141 Sight Singing and Ear Training 1 Systematic training in intervals, rhythms, and solfeggi; ear training in melody and harmony. Mostly based on diatonic scales.
1 1 COP1010 Secondary Instrument 1 Elective Major 1-0-1
COP110 Second Instrumentation1 Second Instrumentation 1, 2, 3, 4 Instrument instruction for composition-major students. Any instrument except piano may be chosen by the students: intends to enhance compositon-major students?understanding of and proficiendy with string and wind instruments.
1 1 COP1051 Keyboard Harmony 1 Compulsory Major 1-0-2
COP151 Keyboard Harmony 1 Keyboard skills are emphasized, focusing on tonal harmony and including diatonic harmonic progression and realization of figured basses, as well as other harmonic movements applying more basic progressions and diatonic modulation.
1 1 COP1057 Music Literature 1 Compulsory Major 1-2-0
Music Literature 1 This course studies musical styles in chronology and genre, performance practices, Notation and Terminologies. Theories for pitches, such as interval, scale, tonal harmony and counterpoint are excluded.
1 1 COP1059 Composition Major 1 Compulsory Major 3-0-1
CMU 159 Major1 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
1 1 COP2017 Tonal Harmony 1 Compulsory Major 2-2-0
COP217 Tonal Harmony 1 More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies
1 1 COP2021 Sixteenth-Century Counterpoint 1 Compulsory Major 2-2-0
COP221 Sixteenth-Century 1 Counterpoint 1, 2 Studies of various techniques of modal counterpoint in the sixteenth-century focusing on the works of Palestrina. Vocal fugues are also studied.
1 1 CUL0017 Computer Music Compulsory General Studies 2-1-2
This course focuses on the basic structure and function of computer. Through actual practice, the ability to utilize computer is developed and general understanding of computer music and basic application method of musical software is acquired. Understanding of computer and utilizing ability of computer music software is developed with practice on clear voice, law of harmony and counterpoint enabling easy management of other courses' assignments while adapting to each courses characteristics, helping each student in their majors.
1 1 GEN1093 Practical English Conversation 1 Compulsory General Studies 3-4-0
GEN 193 Practical English Conversation 1 The objective of this program is to develop communicative competence and motivation to communicate in English both inside and outside of the classroom. The rationale for the program is basically to provide students with a sound opportunity to develop the 4 language skills: listening, speaking, reading and writing. The proposed program combines spoken and reading components in a single class format with clear emphasis on spoken English; it utilizes a communicative approach, targeting spoken language skills in conjunction with reading skills, and reserving writing for homework (although minimal writing will be done in class). The 4 language skills will be integrated witin a well-conceived spoken English program which emphasizes speaking time in class.
1 1 GEN3071 Critical Listening 1 Compulsory General Studies 1-0-2
GEN 371 Critical listening 1 Students participate in regular, weekly, student recitals as critical listeners and criticize fellow students' performances verbally or in writetten form. Students will have more professional experience through theses processes which can not be experienced in the classroom or in the individual lessons. Students majoring in composition are given the same responsibility , but the criticize students' original works presented at the composition recital.
1 1 PNO1001 Piano 1 Compulsory Major 1-0-1
Required for students who major in Orchestral Instruments, Voice, and Composition the basic fundamentalsof piano playing, indispensable to every musician, are studied.
1 1 CMU1011 Chorus 1 (Compulsory) Requirement in Fundamental Studies 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
1 1 CMU1041 Sight Singing and Ear Training 1 (Compulsory) Requirement in Fundamental Studies 2-2-0
Practice of harmonic and melodic intervals to the octave. Rhythm performance and dictation in simple and compound meters with Rhythmic Syllable Method. Reading of treble clef using both fixed and movable Do solfège in C, F, G major and a, d, e minor. One-part melodic dictation and qualities of triads. For composers and conductors, two-part melodic dictation and the sight singing of chamber music and choral works are also included.
1 1 COP1006 Harmony 1 (Compulsory) Requirement in Fundamental Studies 2-2-0
More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies.
1 1 COP1057 Music Literature 1 (Compulsory) Requirement in Fundamental Studies 2-2-0
This class deals with musical styles and genre, music hearing, musical terminologies and little analytical view which are all basic courses(Harmony, Counterpoint, History etc..) of the history of western music. The span of music in this semester is from the era of monophony(11th) to that of classic(early 19th).
1 1 COP1059 Composition Major 1 (Compulsory) Requirement in Fundamental Studies 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
1 1 COP1067 WESTERN INSTRUMENTS1 (Compulsory) Requirement in Fundamental Studies 1-0-1
COP167 WESTERN INSTRUMENTS1 Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those.
1 1 COP2001 Counterpoint 1 (Compulsory) Requirement in Fundamental Studies 2-2-0
This course is concerned with the study and practice of modal counterpoint in the 16th century.
1 1 GEN1093 Practical English Conversation 1 (Compulsory) Requirement in Fundamental Studies 3-4-0
The objective of this program is to develop communicative competence and motivation to communicate in English both inside and outside of the classroom. The rationale for the program is basically to provide students with a sound opportunity to develop the 4 language skills: listening, speaking, reading and writing. The proposed program combines spoken and reading components in a single class format with clear emphasis on spoken English; it utilizes a communicative approach, targeting spoken language skills in conjunction with reading skills, and reserving writing for homework (although minimal writing will b done in class). The 4 language skills will be integrated witin a well-conceived spoken English program which emphasizes speaking time in class.
1 1 GEN3073 Performance and Critique 1 (Compulsory) Requirement in Fundamental Studies 1-0-2
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
1 1 GEN5029 Career Development Ⅰ (Compulsory) Requirement in Fundamental Studies 1-1-0
The ‘seminar for freshman students’ aims to cover the following aspects: etiquettes of the university life; how to use the university facilities; how to improve oneself and provision of ideal ways to utilize the student period. It aims to broaden the 1st year students’ point of view to their majors as well as the university life in general. The lecture will discuss studying skill including taking notes, taking exams, time management and subject enrollment in order to guide students to achieve an ideal studying pattern and further to set up a career path. It will also deal with basic information about diverse study areas, domestic and international social issues and career development.
1 1 SYH0001 HUMAN LEADERSHIP (Compulsory) Requirement in Fundamental Studies 2-2-0
Hanyang Leadership(HELP: Hanyang Essential Leadership Plus) is the leadership development program of Hanyang University that "helps" Hanyang students to be CEOs. The first step of this program, Hanyang Leadership(HELP1) is the core course for freshmen. This course is composed of 3 parts, "pride in Hanyang", "core values in global society" and "life planning". In "pride in Hanyang" students will review the history, values and vision of Hanyang University. In "core values in global society" students will study 6 core values and case study on the core values of global companys. In "life planning" students will reflect on their history and present and develop the vision and mission statement.
1 1 CMU1041 Sight Singing and Ear Training 1 (Compulsory) Requirement in Fundamental Studies 2-2-0
Practice of harmonic and melodic intervals to the octave. Rhythm performance and dictation in simple and compound meters with Rhythmic Syllable Method. Reading of treble clef using both fixed and movable Do solfège in C, F, G major and a, d, e minor. One-part melodic dictation and qualities of triads. For composers and conductors, two-part melodic dictation and the sight singing of chamber music and choral works are also included.
1 1 COP1006 Harmony 1 (Compulsory) Requirement in Fundamental Studies 2-2-0
More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies.
1 1 COP1057 Music Literature 1 (Compulsory) Requirement in Fundamental Studies 2-2-0
This class deals with musical styles and genre, music hearing, musical terminologies and little analytical view which are all basic courses(Harmony, Counterpoint, History etc..) of the history of western music. The span of music in this semester is from the era of monophony(11th) to that of classic(early 19th).
1 1 COP1059 Composition Major 1 (Compulsory) Requirement in Fundamental Studies 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
1 1 COP2001 Counterpoint 1 (Compulsory) Requirement in Fundamental Studies 2-2-0
This course is concerned with the study and practice of modal counterpoint in the 16th century.
1 1 COP2003 Instrumentation 1 (Compulsory) Requirement in Fundamental Studies 2-2-0
An exploration of the nature and capabilities of each orchestral instrument through written exercises which are performed and discussed in class. The course introduces the basic instrumentation such as structures, ranges, characteristic features and performance techniques of instruments and their transposition.
1 1 GEN3073 Performance and Critique 1 (Compulsory) Requirement in Fundamental Studies 1-0-2
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
1 1 GEN5029 Career Development Ⅰ (Compulsory) Requirement in Fundamental Studies 1-1-0
The ‘seminar for freshman students’ aims to cover the following aspects: etiquettes of the university life; how to use the university facilities; how to improve oneself and provision of ideal ways to utilize the student period. It aims to broaden the 1st year students’ point of view to their majors as well as the university life in general. The lecture will discuss studying skill including taking notes, taking exams, time management and subject enrollment in order to guide students to achieve an ideal studying pattern and further to set up a career path. It will also deal with basic information about diverse study areas, domestic and international social issues and career development.
1 1 PNO1001 Piano 1 (Compulsory) Requirement in Fundamental Studies 1-0-1
Required ofr students who major in Orchestral Instruments, Voice, and Conposition the basic fundamentals of piano playing, indispensable to every musician, are studied.
1 1 SYH0001 HUMAN LEADERSHIP (Compulsory) Requirement in Fundamental Studies 2-2-0
Hanyang Leadership(HELP: Hanyang Essential Leadership Plus) is the leadership development program of Hanyang University that "helps" Hanyang students to be CEOs. The first step of this program, Value Leadership(HELP1) is the core course for freshmen. This course is composed of 3 parts, "pride in Hanyang", "core values in global society" and "life planning." In "pride in Hanyang", students will review the history, values and vision of Hanyang University. In "core values in global society", students will study 6 core values and cases on the core values of global companies. In "life planning", students will reflect on their past and present and develop their vision and mission statement.
1 1 CMU1041 Sight Singing and Ear Training 1 (Compulsory) Requirement in Fundamental Studies 2-2-0
Practice of harmonic and melodic intervals to the octave. Rhythm performance and dictation in simple and compound meters with Rhythmic Syllable Method. Reading of treble clef using both fixed and movable Do solfège in C, F, G major and a, d, e minor. One-part melodic dictation and qualities of triads. For composers and conductors, two-part melodic dictation and the sight singing of chamber music and choral works are also included.
1 1 COP1006 Harmony 1 (Compulsory) Requirement in Fundamental Studies 2-2-0
More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies.
1 1 COP1051 Keyboard Harmony 1 (Compulsory) Requirement in Fundamental Studies 1-1-0
This course develops keyboard skills through the study of figured bass, score reading, transposition of Lieder, four-part harmony, modulation and sight-reading. Prerequisite subjects are Harmony 1, 2 or Music Theory 1, 2.
1 1 COP1057 Music Literature 1 (Compulsory) Requirement in Fundamental Studies 1-2-0
This class deals with musical styles and genre, music hearing, musical terminologies and little analytical view which are all basic courses(Harmony, Counterpoint, History etc..) of the history of western music. The span of music in this semester is from the era of monophony(11th) to that of classic(early 19th).
1 1 COP1059 Composition Major 1 (Compulsory) Requirement in Fundamental Studies 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
1 1 COP2001 Counterpoint 1 (Compulsory) Requirement in Fundamental Studies 2-2-0
This course is concerned with the study and practice of modal counterpoint in the 16th century.
1 1 COP2003 Instrumentation 1 (Compulsory) Requirement in Fundamental Studies 2-2-0
An exploration of the nature and capabilities of each orchestral instrument through written exercises which are performed and discussed in class. The course introduces the basic instrumentation such as structures, ranges, characteristic features and performance techniques of instruments and their transposition.
1 1 GEN3073 Performance and Critique 1 (Compulsory) Requirement in Fundamental Studies 1-0-1
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
1 1 GEN4091 Philosophical Understanding of Science and Technology (Compulsory) Requirement in Fundamental Studies 3-3-0
This course aims to survey some important theoretical results recently obtained in science and technology studies. We will carefully examine a number of concrete case studies studied by scholars from philosophy of science and technology, sociology of science and technology, and history of science and technology. The students taking the course shall learn various aspects of modern science and technology in the context of modern society. They shall appreciate how modern science and technology from the nineteenth century has come to manifest a number of its unique features, which can be clearly distinguished from the science and technology of even, the eighteenth century. We will discuss in the class the significance of differences for proper understanding of science and technology of our time. The course will also encourage more interactions between humanities and natural sciences so that we can make well-informed and reasonable decisions concerning complicated issues which are so common in our multi-layered society. The target audience of the course is students studying natural sciences and/or engineering. The contents of the course will be stylized each term, considering the student';s needs and backgrounds.
1 1 GEN5029 Career Development Ⅰ (Compulsory) Requirement in Fundamental Studies 1-1-0
The ‘seminar for freshman students’ aims to cover the following aspects: etiquettes of the university life; how to use the university facilities; how to improve oneself and provision of ideal ways to utilize the student period. It aims to broaden the 1st year students’ point of view to their majors as well as the university life in general. The lecture will discuss studying skill including taking notes, taking exams, time management and subject enrollment in order to guide students to achieve an ideal studying pattern and further to set up a career path. It will also deal with basic information about diverse study areas, domestic and international social issues and career development.
1 1 KTM1084 INTRODUCTION TO KOREAN MUSIC 1 Core Major 2-2-0
This lecture course is designed to broaden the understanding of Korean traditional music, and appreciation for each genre. As well as for learning Korean traditional music theory course. The undergraduate students majoring in Western Music, the lessons can be taken. In the lecture of is opened in the first semester. In this lecture you can appreciation to Korean traditional music in various genre.
1 1 SYH0001 HUMAN LEADERSHIP (Compulsory) Requirement in Fundamental Studies 2-2-0
Hanyang Leadership(HELP: Hanyang Essential Leadership Plus) is the leadership development program of Hanyang University that "helps" Hanyang students to be CEOs. The first step of this program, Human Leadership(HELP1) is a course offered to freshmen students. It is focused on helping them establish characters and values. By enhancing their humanistic sensitivities and knowledge they learn core values and leadership. Students discover themselves through HELP1 and are able to decide what kind of person they want to be. HELP1 helps students establish their values and prepare them to be balanced leaders who can adjust to new environments.
1 1 CMU1041 Sight Singing and Ear Training 1 Basic Major 2-2-0
Practice of harmonic and melodic intervals to the octave. Rhythm performance and dictation in simple and compound meters with Rhythmic Syllable Method. Reading of treble clef using both fixed and movable Do solfège in C, F, G major and a, d, e minor. One-part melodic dictation and qualities of triads. For composers and conductors, two-part melodic dictation and the sight singing of chamber music and choral works are also included.
1 1 COP1006 Harmony 1 Basic Major 2-2-0
More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies.
1 1 COP1059 Composition Major 1 Basic Major 1-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
1 1 COP2001 Counterpoint 1 Basic Major 2-2-0
This course is concerned with the study and practice of modal counterpoint in the 16th century.
1 1 COP2003 Instrumentation 1 Basic Major 2-2-0
An exploration of the nature and capabilities of each orchestral instrument through written exercises which are performed and discussed in class. The course introduces the basic instrumentation such as structures, ranges, characteristic features and performance techniques of instruments and their transposition.
1 1 GEN3073 Performance and Critique 1 Basic Major 1-0-1
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
1 1 GEN4091 Philosophical Understanding of Science and Technology Compulsory General Studies 3-3-0
This course aims to cultivate among students the comprehensive understanding of science and technology in modern society, employing philosophical methods and concepts. To do this, the course offers a survey of some important theoretical results recently obtained in science and technology studies. We will carefully examime a number of concrete case-studies, ranging from the electrification of America, quantum revolution to the introduction of western science to traditional Korea. We will then discuss the intrinsic nature of modern science and technology as well as its socio-cultural aspects in the context of modern society. Students who take the course shall appreciate how modern science and technology from the nineteenth century has come to manifest a number of unique characteristics, which can be clearly distinguished from the science and technology of even, the eighteenth century. We will discuss in the class the significance of this difference. The course will also highlights the importance of dialogue between experts with different background and encourage more interactions between humanities and natural sciences, so that we can make well-informed and reasonable decisions concerning complicated issues which are so common in our multi-layered society.
1 1 GEN5029 Career Development Ⅰ Compulsory General Studies 1-1-0
The ‘seminar for freshman students’ aims to cover the following aspects: etiquettes of the university life; how to use the university facilities; how to improve oneself and provision of ideal ways to utilize the student period. It aims to broaden the 1st year students’ point of view to their majors as well as the university life in general. The lecture will discuss studying skill including taking notes, taking exams, time management and subject enrollment in order to guide students to achieve an ideal studying pattern and further to set up a career path. It will also deal with basic information about diverse study areas, domestic and international social issues and career development.
1 1 SYH0001 HUMAN LEADERSHIP Compulsory General Studies 2-2-0
Hanyang Leadership(HELP: Hanyang Essential Leadership Plus) is the leadership development program of Hanyang University that "helps" Hanyang students to be CEOs. The first step of this program, Hanyang Leadership(HELP1) is the core course for freshmen. This course is composed of 3 parts, "pride in Hanyang", "core values in global society" and "life planning". In "pride in Hanyang" students will review the history, values and vision of Hanyang University. In "core values in global society" students will study 6 core values and case study on the core values of global companys. In "life planning" students will reflect on their history and present and develop the vision and mission statement.
1 2 CMU1002 Major 2 Compulsory Major 3-0-1
1 2 CMU1012 Chorus 2 Compulsory Major 0-0-4
1 2 CMU1022 Performance 2 Compulsory Major 0-0-1
1 2 CMU1042 Sight Singing and Ear Training 2 Compulsory Major 0-0-2
1 2 CMU2032 History of Western Music 2 Compulsory Major 1-1-1
1 2 COP1007 Harmony 2 Compulsory Major 2-2-1
1 2 COP1052 Keyboard Harmony 2 Compulsory Major 0-0-2
1 2 COP2002 Counterpoint 2 Compulsory Major 2-2-1
1 2 GEN0002 General Ethics 2 Elective General Studies 2-2-0
1 2 GEN0012 History of Korea Elective General Studies 2-2-0
1 2 GEN0022 English 2 Compulsory General Studies 3-2-3
1 2 KTM1020 Korean Music Theory 2 Elective Major 1-1-1
1 2 OCH2006 Special Instrument 2 Elective Major 1-0-1
1 2 PNO1002 Piano 2 Compulsory Major 1-0-1
1 2 CMU1002 Major 2 Compulsory Major 3-0-1
1 2 CMU1012 Chorus 2 Compulsory Major 1-0-2
1 2 CMU1042 Sight Singing and Ear Training 2 Compulsory Major 0-0-2
1 2 COP1009 Harmony & Keyboard Harmony 2 Compulsory Major 2-2-2
1 2 COP1011 Secondary Instrument 2 Elective Major 1-0-1
1 2 COP2002 Counterpoint 2 Compulsory Major 2-2-1
1 2 COP2004 Instrumentation 2 Elective Major 1-2-0
1 2 GEN1024 Korean and Writing Compulsory General Studies 3-3-0
Writing requires systematic thinking. This lecture purpose to extend the writing skills and expressions through various examples. Avoid the cramming education and concentrate on raising abilities of creative thinking , reasonable criticism. Develop the program of reading poetry and prose etc for student to train the writing skills with creative and logical thinking.
1 2 GEN2005 English Conversation Compulsory General Studies 3-3-0
1 2 GEN3072 Critical Listening 2 Compulsory General Studies 1-0-2
1 2 PNO1002 Piano 2 Elective Major 1-0-1
1 2 CMU1012 Chorus 2 Compulsory Major 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
1 2 CMU1042 Sight Singing and Ear Training 2 Compulsory Major 1-0-2
CMU 142 Sight Singing and Ear Training 2 Systematic training in intervals, rhythms, and solfeggi; ear training in melody and harmony. Mostly based on diatonic scales.
1 2 CMU1057 Computer Music Practice Compulsory General Studies 2-1-2
CMU157 Computer Music Practice Representation of sound signals in a digital computer; methods for input and output of sounds to and from a computer; sound synthesis programs; synthesis of simple musical structures; editing and retrieval, along with notation/sequence programs and usage of a synthesizer.
1 2 COP1011 Secondary Instrument 2 Elective Major 1-0-1
COP110 Second Instrumentation 2 Second Instrumentation 1, 2, 3, 4 Instrument instruction for composition-major students. Any instrument except piano may be chosen by the students: intends to enhance compositon-major students?understanding of and proficiendy with string and wind instruments.
1 2 COP1052 Keyboard Harmony 2 Compulsory Major 1-0-2
COP151 Keyboard Harmony 1 Keyboard skills are emphasized, focusing on tonal harmony and including diatonic harmonic progression and realization of figured basses, as well as other harmonic movements applying more basic progressions and diatonic modulation
1 2 COP1058 Music Literature 2 Compulsory Major 1-2-0
Music Literature 2 This course studies musical styles in chronology and genre, performance practices, Notation and Terminologies. Theories for pitches, such as interval, scale, tonal harmony and counterpoint are excluded.
1 2 COP1060 Composition Major 2 Compulsory Major 3-0-1
CMU 160 Major2 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
1 2 COP2018 Tonal Harmony 2 Compulsory Major 2-2-0
COP218 Tonal Harmony 2 More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies
1 2 COP2022 Sixteenth-Century Counterpoint 2 Compulsory Major 2-2-0
COP221 Sixteenth-Century 1 Counterpoint 1, 2 Studies of various techniques of modal counterpoint in the sixteenth-century focusing on the works of Palestrina. Vocal fugues are also studied.
1 2 CUL0005 Korean Speaking and Writing Compulsory General Studies 3-4-0
Through kiscussion this course ask the following questions: (1) What is free associaton?; (2) How do you compose and make a text? How do you talk about a certain issue?; (3) What is rational and logical thought?; (4) How do you enhance originality and rationlity? The course help students acquire an understanding of text and composition.
1 2 GEN3072 Critical Listening 2 Compulsory General Studies 1-0-2
GEN 372 Critical listening 2 Students participate in regular, weekly, student recitals as critical listeners and criticize fellow students' performances verbally or in writetten form. Students will have more professional experience through theses processes which can not be experienced in the classroom or in the individual lessons. Students majoring in composition are given the same responsibility , but the criticize students' original works presented at the composition recital.
1 2 PNO1002 Piano 2 Compulsory Major 1-0-1
Required for students who major in Orchestral Instruments, Voice, and Composition the basic fundamentalsof piano playing, indispensable to every musician, are studied.
1 2 CMU1012 Chorus 2 Compulsory Major 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
1 2 CMU1042 Sight Singing and Ear Training 2 Compulsory Major 1-0-2
CMU 142 Sight Singing and Ear Training 2 Systematic training in intervals, rhythms, and solfeggi; ear training in melody and harmony. Mostly based on diatonic scales.
1 2 CMU1057 Computer Music Practice Compulsory General Studies 2-1-2
CMU157 Computer Music Practice Representation of sound signals in a digital computer; methods for input and output of sounds to and from a computer; sound synthesis programs; synthesis of simple musical structures; editing and retrieval, along with notation/sequence programs and usage of a synthesizer.
1 2 COP1011 Secondary Instrument 2 Elective Major 1-0-1
COP111 Second Instrumentation 2 Second Instrumentation 1, 2, 3, 4 Instrument instruction for composition-major students. Any instrument except piano may be chosen by the students: intends to enhance compositon-major students?understanding of and proficiendy with string and wind instruments.
1 2 COP1052 Keyboard Harmony 2 Compulsory Major 1-0-2
COP 152 Keyboard Harmony 2 Keyboard skills are emphasized, focusing on tonal harmony and including diatonic harmonic progression and realization of figured basses, as well as other harmonic movements applying more basic progressions and diatonic modulation.
1 2 COP1058 Music Literature 2 Compulsory Major 1-2-0
Music Literature 2 This course studies musical styles in chronology and genre, performance practices, Notation and Terminologies. Theories for pitches, such as interval, scale, tonal harmony and counterpoint are excluded.
1 2 COP1060 Composition Major 2 Compulsory Major 3-0-1
CMU 160 Major2 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
1 2 COP2018 Tonal Harmony 2 Compulsory Major 2-2-0
COP218 Tonal Harmony 2 More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies
1 2 COP2022 Sixteenth-Century Counterpoint 2 Compulsory Major 2-2-0
COP222 Sixteenth-Century 2 Counterpoint 1, 2 Studies of various techniques of modal counterpoint in the sixteenth-century focusing on the works of Palestrina. Vocal fugues are also studied.
1 2 CUL0005 Korean Speaking and Writing Compulsory General Studies 3-4-0
Through discussion this course asks the following questions: (1) What is free associaton?; (2) How do you compose and make a text? How do you talk about a certain issue?; (3) What is rational and logical thought?; (4) How do you enhance originality and rationlity? The course helps students acquire an understanding of text and composition.
1 2 GEN3072 Critical Listening 2 Compulsory General Studies 1-0-2
GEN 372 Critical listening 2 Students participate in regular, weekly, student recitals as critical listeners and criticize fellow students' performances verbally or in writetten form. Students will have more professional experience through theses processes which can not be experienced in the classroom or in the individual lessons. Students majoring in composition are given the same responsibility , but the criticize students' original works presented at the composition recital.
1 2 PNO1002 Piano 2 Compulsory Major 1-0-1
Required for students who major in Orchestral Instruments, Voice, and Composition the basic fundamentalsof piano playing, indispensable to every musician, are studied.
1 2 CMU1012 Chorus 2 (Compulsory) Requirement in Fundamental Studies 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
1 2 CMU1042 Sight Singing and Ear Training 2 (Compulsory) Requirement in Fundamental Studies 2-2-0
Singing triads and dominant sevenths in all inversions up and down. Identification of triads in root position and inversions in traditional harmonic progressions. Two-part melodic diction in treble and bass clefs. One-part melodic ear training and sight singing in D, Bb, A major and b, g, f# minor. Further rhythmic study with Rhythmic Syllable Method. For composers and conductors, reading in treble, bass, soprano, alto, and tenor clefs and two-part score reading. Prerequisite is Sight Singing and Ear Training 1.
1 2 COP1007 Harmony 2 (Compulsory) Requirement in Fundamental Studies 2-2-0
More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies.
1 2 COP1058 Music Literature 2 (Compulsory) Requirement in Fundamental Studies 2-2-0
This course studies musical styles in chronology and genre, performance practices, Notation and Terminologies. Theories for pitches, such as interval, scale, tonal harmony and counterpoint are excluded.
1 2 COP1060 Composition Major 2 (Compulsory) Requirement in Fundamental Studies 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
1 2 COP1068 WESTERN INSTRUMENTS2 (Compulsory) Requirement in Fundamental Studies 1-0-1
Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those.
1 2 COP2002 Counterpoint 2 (Compulsory) Requirement in Fundamental Studies 2-2-0
This course is concerned with the study and practice of tonal counterpoint in the 18th century based on J. S. Bach's instrumental music. Students also practice some instrumental pieces of Baroque period with imitation techniques such as two, three voices invention, canon. Prerequisite is Counterpoint 1.
1 2 CUL0005 Korean Speaking and Writing (Compulsory) Requirement in Fundamental Studies 3-4-0
Through kiscussion this course ask the following questions: (1) What is free associaton?; (2) How do you compose and make a text? How do you talk about a certain issue?; (3) What is rational and logical thought?; (4) How do you enhance originality and rationlity? The course help students acquire an understanding of text and composition.
1 2 GEN3074 Performance and Critique 2 (Compulsory) Requirement in Fundamental Studies 1-0-2
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
1 2 GEN5070 COMPREHENSION AND APPLICATION OF DIGITAL INFORMATION (Compulsory) Requirement in Fundamental Studies 3-2-2
About lower is embossed with the change which is sudden in the digital society and the role which each one keeps from stage place of the lives which are new it applies a digital communication technique and the place where it displays enough the place objective which raises the ability which is necessary it is letting, ① the information search whose oneself is necessary at the digital network (know where), ② is searched information and ease re-application to be possible it classifies ③ and it accumulates and after quality attribute and reliability evaluation and judgement of information which is searched ④ editing processes information with the knowledge creation where the problem solving where oneself is confronting is possible is that concrete objective.
1 2 CMU1042 Sight Singing and Ear Training 2 (Compulsory) Requirement in Fundamental Studies 2-2-0
Singing triads and dominant sevenths in all inversions up and down. Identification of triads in root position and inversions in traditional harmonic progressions. Two-part melodic diction in treble and bass clefs. One-part melodic ear training and sight singing in D, Bb, A major and b, g, f# minor. Further rhythmic study with Rhythmic Syllable Method. For composers and conductors, reading in treble, bass, soprano, alto, and tenor clefs and two-part score reading. Prerequisite is Sight Singing and Ear Training 1.
1 2 COP1007 Harmony 2 (Compulsory) Requirement in Fundamental Studies 2-2-0
More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies.
1 2 COP1058 Music Literature 2 (Compulsory) Requirement in Fundamental Studies 2-2-0
This course studies musical styles in chronology and genre, performance practices, Notation and Terminologies. Theories for pitches, such as interval, scale, tonal harmony and counterpoint are excluded.
1 2 COP1060 Composition Major 2 (Compulsory) Requirement in Fundamental Studies 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
1 2 COP2002 Counterpoint 2 (Compulsory) Requirement in Fundamental Studies 2-2-0
This course is concerned with the study and practice of tonal counterpoint in the 18th century based on J. S. Bach's instrumental music. Students also practice some instrumental pieces of Baroque period with imitation techniques such as two, three voices invention, canon. Prerequisite is Counterpoint 1.
1 2 COP2004 Instrumentation 2 (Compulsory) Requirement in Fundamental Studies 2-2-0
An exploration of the orchestration in the range of chamber ensemble. The course introduces the basic instrumentation and practices the arrangements for woodwind quintet, brass quintet, string quartet, and combination of strings and woodwind. Prerequisite is Instrumentation 1.
1 2 CUL0005 Korean Speaking and Writing (Compulsory) Requirement in Fundamental Studies 3-4-0
This class is opened in intention to express creative imagination though speech and writing. This class is divided by 2 parts explaining writing and thoughts, speech and culture. Writing and thoughts contains association training, structures of writing, description, compare and contrast and writing logical sentences. Speech and culture criticizes culture and literature. Both parts contains many programs that enables students to participate. That should make the class interesting and also valuable.
1 2 GEN3074 Performance and Critique 2 (Compulsory) Requirement in Fundamental Studies 1-0-2
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
1 2 GEN4091 Philosophical Understanding of Science and Technology (Compulsory) Requirement in Fundamental Studies 2-2-0
His career as a wide range of knowledge and lessons learned in the previous semester plan to explore in depth the process. Employment working in the industry of major interest to seniors invited to hear the information about the industry to prepare for what you need to learn knowhow. In addition, students who already have a job that aim to visit seniors plan their careers and the skills necessary to equip determined to develop a career that any plan.
1 2 GEN6044 Hanyang Community Service (Compulsory) Requirement in Fundamental Studies 1-0-2
His career as a wide range of knowledge and lessons learned in the previous semester plan to explore in depth the process. Employment working in the industry of major interest to seniors invited to hear the information about the industry to prepare for what you need to learn knowhow. In addition, students who already have a job that aim to visit seniors plan their careers and the skills necessary to equip determined to develop a career that any plan.
1 2 PNO1002 Piano 2 (Compulsory) Requirement in Fundamental Studies 1-0-1
Required ofr students who major in Orchestral Instruments, Voice, and Conposition the basic fundamentals of piano playing, indispensable to every musician, are studied.
1 2 CMU1042 Sight Singing and Ear Training 2 (Compulsory) Requirement in Fundamental Studies 2-2-0
Singing triads and dominant sevenths in all inversions up and down. Identification of triads in root position and inversions in traditional harmonic progressions. Two-part melodic diction in treble and bass clefs. One-part melodic ear training and sight singing in D, Bb, A major and b, g, f# minor. Further rhythmic study with Rhythmic Syllable Method. For composers and conductors, reading in treble, bass, soprano, alto, and tenor clefs and two-part score reading. Prerequisite is Sight Singing and Ear Training 1.
1 2 COP1007 Harmony 2 (Compulsory) Requirement in Fundamental Studies 2-2-0
More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies.
1 2 COP1052 Keyboard Harmony 2 (Compulsory) Requirement in Fundamental Studies 1-1-0
This course continues more intensive study of the subjects presented in Keyboard Harmony 1. It introduces the realization of basso continuo parts, score reading (string quartets and piano reductions of symphonies), transposition, modulation, and improvisation. Prerequisite is Keyboard Harmony 1 and corresponds to advanced Sight-singing and Ear Training.
1 2 COP1058 Music Literature 2 (Compulsory) Requirement in Fundamental Studies 1-2-0
This course studies musical styles in chronology and genre, performance practices, Notation and Terminologies. Theories for pitches, such as interval, scale, tonal harmony and counterpoint are excluded.
1 2 COP1060 Composition Major 2 (Compulsory) Requirement in Fundamental Studies 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
1 2 COP2002 Counterpoint 2 (Compulsory) Requirement in Fundamental Studies 2-2-0
This course is concerned with the study and practice of tonal counterpoint in the 18th century based on J. S. Bach's instrumental music. Students also practice some instrumental pieces of Baroque period with imitation techniques such as two, three voices invention, canon. Prerequisite is Counterpoint 1.
1 2 COP2004 Instrumentation 2 (Compulsory) Requirement in Fundamental Studies 2-2-0
An exploration of the orchestration in the range of chamber ensemble. The course introduces the basic instrumentation and practices the arrangements for woodwind quintet, brass quintet, string quartet, and combination of strings and woodwind. Prerequisite is Instrumentation 1.
1 2 CUL0005 Korean Speaking and Writing (Compulsory) Requirement in Fundamental Studies 3-3-0
This course is to understand about the culture of the moderns, can be represented in the speaking and writing skills and a free imagination, and creative and critical reason for celebration. In addition, students can participate in lectures and presentations, a discussion of the end of class for free and a variety of writing and the correct writing of the progress and lessons will be conducted. Subjective reason ability and come in a variety of situations, each student through this class so that you can be a true and accurate communication, speaking and writing skills will be able to exert.
1 2 GEN3074 Performance and Critique 2 (Compulsory) Requirement in Fundamental Studies 1-0-1
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
1 2 GEN6044 Hanyang Community Service (Compulsory) Requirement in Fundamental Studies 1-0-2
His career as a wide range of knowledge and lessons learned in the previous semester plan to explore in depth the process. Employment working in the industry of major interest to seniors invited to hear the information about the industry to prepare for what you need to learn knowhow. In addition, students who already have a job that aim to visit seniors plan their careers and the skills necessary to equip determined to develop a career that any plan.
1 2 KTM1085 INTRODUCTION TO KOREAN MUSIC 2 Core Major 2-2-0
This lecture course is designed to broaden the understanding of Korean traditional music, and appreciation for each genre. As well as for learning Korean traditional music theory course. The undergraduate students majoring in Western Music, the lessons can be taken. In the lecture of is opened in the second semester. In this lecture you will learn the scales and rhythms, and music history.
1 2 CMU1042 Sight Singing and Ear Training 2 Basic Major 2-2-0
Singing triads and dominant sevenths in all inversions up and down. Identification of triads in root position and inversions in traditional harmonic progressions. Two-part melodic diction in treble and bass clefs. One-part melodic ear training and sight singing in D, Bb, A major and b, g, f# minor. Further rhythmic study with Rhythmic Syllable Method. For composers and conductors, reading in treble, bass, soprano, alto, and tenor clefs and two-part score reading. Prerequisite is Sight Singing and Ear Training 1.
1 2 COP1007 Harmony 2 Basic Major 2-2-0
More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies.
1 2 COP1060 Composition Major 2 Basic Major 1-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
1 2 COP1069 Keyboard Harmony Basic Major 1-1-0
This course develops keyboard skills through the study of figured bass, score reading, transposition of Lieder, four-part harmony, modulation and sight-reading.
1 2 COP2002 Counterpoint 2 Basic Major 2-2-0
This course is concerned with the study and practice of tonal counterpoint in the 18th century based on J. S. Bach's instrumental music. Students also practice some instrumental pieces of Baroque period with imitation techniques such as two, three voices invention, canon. Prerequisite is Counterpoint 1.
1 2 COP2004 Instrumentation 2 Basic Major 2-2-0
An exploration of the orchestration in the range of chamber ensemble. The course introduces the basic instrumentation and practices the arrangements for woodwind quintet, brass quintet, string quartet, and combination of strings and woodwind. Prerequisite is Instrumentation 1.
1 2 CUL0005 Korean Speaking and Writing Compulsory General Studies 3-3-0
Through kiscussion this course ask the following questions: (1) What is free associaton?; (2) How do you compose and make a text? How do you talk about a certain issue?; (3) What is rational and logical thought?; (4) How do you enhance originality and rationlity? The course help students acquire an understanding of text and composition.
1 2 CUL0011 Creative Computing Compulsory General Studies 3-1-2
For students of no experience in computer programming area, the fundamental concepts and the methods of application of a computer programming language will be studied and learned by going through a developing process of a simple computer game from the bottom using "Python", very easy programming language to start. By inducing students to discuss freely and have question and answer sessions briskly about questions coming to mind during developing computer programs in practice, students will acquire computer programming understandings. Then the purpose of this course is to develop their ability to produce creative ideas in fusion technique for their major area in highly information-oriented society.
1 2 GEN3074 Performance and Critique 2 Basic Major 1-0-1
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
2 1 CHI2002 Chinese 1 Elective General Studies 3-3-0
2 1 CMU2001 Major 3 Compulsory Major 3-0-1
2 1 CMU2011 Chorus 3 Compulsory Major 0-0-4
2 1 CMU2021 Performance 3 Compulsory Major 0-0-1
2 1 CMU2041 Sight Singing and Ear Training 3 Compulsory Major 0-0-2
2 1 CMU2043 Keyboard Harmony 3 Compulsory Major 0-0-2
2 1 CMU3031 History of Western Music 3 Compulsory Major 1-1-1
2 1 COP2003 Instrumentation 1 Elective Major 2-2-0
2 1 COP2009 Harmony 3 Compulsory Major 2-2-1
2 1 COP3004 Counterpoint 3 Compulsory Major 2-2-1
2 1 GEN0024 German 1 Elective General Studies 3-3-0
2 1 GEN0027 French 1 Elective General Studies 3-3-0
2 1 GEN0052 Japanese 1 Elective General Studies 3-3-0
2 1 GEN2005 English Conversation Elective General Studies 3-3-0
2 1 KTM2023 Korean Music Theory 3 Elective Major 1-1-1
2 1 OCH3015 Special Instrument 3 Elective Major 1-0-1
2 1 PNO2001 Piano 3 Compulsory Major 1-0-1
2 1 CMU2001 Major 3 Compulsory Major 3-0-1
2 1 CMU2011 Chorus 3 Compulsory Major 1-0-2
2 1 CMU2031 History of Western Music 1 Compulsory General Studies 2-3-0
2 1 CMU2041 Sight Singing and Ear Training 3 Compulsory Major 0-0-2
2 1 COP2013 Harmony & Keyboard Harmony 3 Compulsory Major 2-2-2
2 1 COP2015 Secondary Instrument 3 Elective Major 1-0-1
2 1 COP3004 Counterpoint 3 Compulsory Major 2-2-1
2 1 COP3017 20Th Century Music 1 Elective Major 1-2-0
2 1 COP3019 Instrumentation 3 Elective Major 1-2-0
2 1 GEN3073 Performance and Critique 1 Compulsory General Studies 2-0-2
2 1 PNO2001 Piano 3 Elective Major 1-0-1
2 1 CMU2011 Chorus 3 Compulsory Major 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
2 1 CMU2031 History of Western Music 1 Compulsory General Studies 2-3-0
COP231,Seminar in Music Theory 1 Studies in specialized areas of analysis, theory systems, and aesthetics for composition-theory majors. Among the topics discussed are theories of tonal harmony, counterpoint, musical form, and their historical changes. Topics may vary according to the instructor.
2 1 CMU2041 Sight Singing and Ear Training 3 Compulsory Major 1-0-2
CMU241 Sight Singing and Ear Training 3 Systematic training in intervals, rhythms, and solfeggi; ear training in melody and harmony, and in irregular rhythms and atonal melodies for appreciation and performance of contemporary music. Mostly based on chromatic scales.
2 1 CMU2043 Keyboard Harmony 3 Compulsory Major 1-0-2
CMU243 Keyboard Harmony 3 Keyboard skills mostly on chromatic vocabularies are taught.
2 1 COP2015 Secondary Instrument 3 Elective Major 1-0-1
COP215 Second Instrumentation 3 Second Instrumentation 1, 2, 3, 4 Instrument instruction for composition-major students. Any instrument except piano may be chosen by the students: intends to enhance compositon-major students?understanding of and proficiendy with string and wind instruments.
2 1 COP2019 Tonal Harmony 3 Compulsory Major 2-2-0
COP219 Tonal Harmony 3 More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies
2 1 COP2023 Eighteenth-Century Counterpoint 1 Compulsory Major 2-2-0
COP223 Eighteenth-Century 1 Counterpoint 1, 2 Studies of various techniques of eighteenth-century counterpoint: topics include canon, invention, and fugue.
2 1 COP2033 Composition Major 3 Compulsory Major 3-0-1
CMU 233 Major3 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
2 1 COP3005 Orchestration 1 Elective Major 2-2-0
COP305Orchestration 1 Orchestration for chamber and symphony orchestras; mainly orchestral works of classical, romantic, and contemporary composers are examined.
2 1 GEN0016 Elementary Readings in English Compulsory General Studies 2-2-0
To further strengthen student's ability to read in English, this course is based on the skills achieved in the 'Practical English' course.
2 1 GEN3073 Performance and Critique 1 Compulsory General Studies 1-0-2
GEN 373 Performance and Critique1 Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
2 1 PNO2001 Piano 3 Compulsory Major 1-0-1
Required for students who major in Orchestral Instruments, Voice, and Composition the basic fundamentalsof piano playing, indispensable to every musician, are studied.
2 1 CMU2011 Chorus 3 Compulsory Major 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
2 1 CMU2031 History of Western Music 1 Compulsory General Studies 2-3-0
COP231,Seminar in Music Theory 1 Studies in specialized areas of analysis, theory systems, and aesthetics for composition-theory majors. Among the topics discussed are theories of tonal harmony, counterpoint, musical form, and their historical changes. Topics may vary according to the instructor.
2 1 CMU2041 Sight Singing and Ear Training 3 Compulsory Major 1-0-2
CMU241 Sight Singing and Ear Training 3 Systematic training in intervals, rhythms, and solfeggi; ear training in melody and harmony, and in irregular rhythms and atonal melodies for appreciation and performance of contemporary music. Mostly based on chromatic scales.
2 1 CMU2043 Keyboard Harmony 3 Compulsory Major 1-0-2
CMU243 Keyboard Harmony 3 Keyboard skills mostly on chromatic vocabularies are taught.
2 1 COP2015 Secondary Instrument 3 Elective Major 1-0-1
COP215 Second Instrumentation 3 Second Instrumentation 1, 2, 3, 4 Instrument instruction for composition-major students. Any instrument except piano may be chosen by the students: intends to enhance compositon-major students?understanding of and proficiendy with string and wind instruments.
2 1 COP2023 Eighteenth-Century Counterpoint 1 Compulsory Major 2-2-0
COP223 Eighteenth-Century 1 Counterpoint 1, 2 Studies of various techniques of eighteenth-century counterpoint: topics include canon, invention, and fugue.
2 1 COP2025 Twentieth-Century Music 1 Compulsory Major 2-2-0
COP225Twentieth-Century Music 1 Studies of various compositional techniques featured in the twentieth-century based on compositional procedures. Both theoretical instruction and practical works are carried out in this course
2 1 COP2033 Composition Major 3 Compulsory Major 3-0-1
CMU 233 Major3 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
2 1 COP3005 Orchestration 1 Compulsory Major 2-2-0
COP305Orchestration 1 Orchestration for chamber and symphony orchestras; mainly orchestral works of classical, romantic, and contemporary composers are examined.
2 1 GEN0016 Elementary Readings in English Compulsory General Studies 2-2-0
GEN016 Elementary Readings in English To further strengthen students' ability to read in English, based on the skills achieved in the 'Practical English' course.
2 1 GEN3073 Performance and Critique 1 Compulsory General Studies 1-0-2
GEN 373 Performance and Critique1 Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
2 1 PNO2001 Piano 3 Compulsory Major 1-0-1
Required for students who major in Orchestral Instruments, Voice, and Composition the basic fundamentalsof piano playing, indispensable to every musician, are studied.
2 1 CMU2031 History of Western Music 1 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite subjects are Music Literature 1, 2. History of Western Music History 1 covers from the Middle Ages to the Early Renaissance.
2 1 CMU2041 Sight Singing and Ear Training 3 Core Major 2-2-0
Singing triads and dominant sevenths in all inversions up and down. Identification of triads in root position and inversions, and the secondary dominant in traditional harmonic progressions. Two-part melodic diction in treble and bass clefs. One-part melodic ear training and sight singing in Eb, Ab, E major and c, f, c# minor. Further rhythmic study with Rhythmic Syllable Method. For composers and conductors, three-part score reading and dictation of a certain part of choral works and string quartets, and the analysis of their harmonic structure and form. Prerequisite is Sight Singing and Ear Training 2.
2 1 COP1051 Keyboard Harmony 1 Extended Major 2-2-0
This course develops keyboard skills through the study of figured bass, score reading, transposition of Lieder, four-part harmony, modulation and sight-reading. Prerequisite subjects are Harmony 1, 2 or Music Theory 1, 2.
2 1 COP2003 Instrumentation 1 Core Major 2-2-0
An exploration of the nature and capabilities of each orchestral instrument through written exercises which are performed and discussed in class. The course introduces the basic instrumentation such as structures, ranges, characteristic features and performance techniques of instruments and their transposition.
2 1 COP2033 Composition Major 3 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
2 1 COP2041 WESTERN INSTRUMENTS3 Extended Major 1-0-1
Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those.
2 1 COP2042 KOREAN TRADITIONAL INSTRUMENTS1 Extended Major 1-0-1
Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition..
2 1 COP2043 INTRODUCTION TO MUSICOLOGY1 Extended Major 2-2-0
Survey of the discipline, history, and approaches of musicology covering prominent recent writings over a broad spectrum of issues, bibliographic resources, and sample problems for investigation. Also special attention to class projects in systematic musicology and to the philosophy of music history.
2 1 COP3004 Counterpoint 3 Core Major 2-2-0
This course is focused on Fugue by J. S. Bach. Composition of fugue will be followed by various studies including analysis, performance, and listening Bach's masterpieces. Prerequisite is Counterpoint 2.
2 1 COP3017 20Th Century Music 1 Core Major 2-2-0
This course examines various compositional techniques featured in the early 20th-century compositional procedures. Topics include pandiatonicism, diatonic and chromatic clusters, polytonality, altered and exotic scales and modes, free chromaticism, and atonality.
2 1 GEN3075 Performance and Critique 3 Core Major 1-0-2
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
2 1 PNO1001 Piano 1 Extended Major 1-0-1
Required ofr students who major in Orchestral Instruments, Voice, and Conposition the basic fundamentals of piano playing, indispensable to every musician, are studied.
2 1 SYH0002 GLOBAL LEADERSHIP (Compulsory) Requirement in Fundamental Studies 2-2-0
Hanyang Leadership(HELP: Hanyang Essential Leadership Plus) is the leadership development program of Hanyang University that "helps" Hanyang students to be CEOs. The second step of this program, Hanyang Leadership(HELP2) is the core course for Sophomores. In the 21st century, we are moving into a global soceity where all countries are interconnected. Everything is changing at the speed of light. Competition is increasing. Digital Convergence is occurring. Global leaders are the key to success for all organizations. In a global soceity, you can prepare for your future through HELP2. The purpose of HELP is to prepare students to be global leaders for the next generation. HELP2 teaches students: Global Leadership, Global Paradigm, Global Literacy, Global Manners, and Global Mindset. Hanyang university students will be global leaders through HELP2.
2 1 CMU2031 History of Western Music 1 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite subjects are Music Literature 1, 2. History of Western Music History 1 covers from the Middle Ages to the Early Renaissance.
2 1 CMU2041 Sight Singing and Ear Training 3 Core Major 2-2-0
Singing triads and dominant sevenths in all inversions up and down. Identification of triads in root position and inversions, and the secondary dominant in traditional harmonic progressions. Two-part melodic diction in treble and bass clefs. One-part melodic ear training and sight singing in Eb, Ab, E major and c, f, c# minor. Further rhythmic study with Rhythmic Syllable Method. For composers and conductors, three-part score reading and dictation of a certain part of choral works and string quartets, and the analysis of their harmonic structure and form. Prerequisite is Sight Singing and Ear Training 2.
2 1 COP1051 Keyboard Harmony 1 Extended Major 1-1-0
This course develops keyboard skills through the study of figured bass, score reading, transposition of Lieder, four-part harmony, modulation and sight-reading. Prerequisite subjects are Harmony 1, 2 or Music Theory 1, 2.
2 1 COP1067 WESTERN INSTRUMENTS1 Extended Major 1-0-1
COP167 WESTERN INSTRUMENTS1 Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those.
2 1 COP2033 Composition Major 3 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
2 1 COP2042 KOREAN TRADITIONAL INSTRUMENTS1 Extended Major 1-0-1
Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition..
2 1 COP3004 Counterpoint 3 Core Major 2-2-0
Purtroppo, oggi non si usa piu le chiavi di Mezzo-soprano(Fa) e Baritono(Sol) nel contrappunto, pero e molto importante allenamento di leggere delle chiavi di Soprano(La), Alto(Re), Tenore(Si bemolle), Basso(Mi bemolle) in relazione del instrumento trasposito dell'orchestrazione. Studieremo sulla base di contrappunto semplice, continuamente contrappunto inversario(scribere contrasoggetto nella fuga) e contrappunto imitato(stretto nella fuga), dopo fuga scolastica. E poi analizzeremo le opere di Schumann e Brahms, compositiori ottocenteschi scuola di nord-tedesco.
2 1 COP3005 Orchestration 1 Core Major 2-2-0
Orchestration techniques will be studied through the examination of scores from the literature as well as through the creative application of compositional skills. Students explore to comparing and analyzing diverse arrangements of ensembles such as strings, woodwinds, percussions or orchestra, and various recordings of the historic performances. Prerequisite is Instrumentation 1, 2.
2 1 COP3017 20Th Century Music 1 Core Major 2-2-0
This course examines various compositional techniques featured in the early 20th-century compositional procedures. Topics include pandiatonicism, diatonic and chromatic clusters, polytonality, altered and exotic scales and modes, free chromaticism, and atonality.
2 1 GEN3075 Performance and Critique 3 Core Major 1-0-2
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
2 1 GEN6032 PROFESSIONAL ACADEMIC ENGLISH (Compulsory) Requirement in Fundamental Studies 3-4-0
The Professional Academic English for students at Hanyang University focuses on the development of the oral and written communication skills, which are required in the globalized world community. The course aims to help students develop the competencies that are required in their future studies and career: professional knowledge, interpersonal and communicative competences. The course requires the students to develop creative problem solving skills. For this, the students perform various tasks by investigating and analyzing engineering topics as well as developing solutions. The students’ communication and negotiation skills are systematically supported by language skill development such as learning academic forms and structures of the language that are used in formal oral presentations and essays. The expected course outcome is that students are able to write academic reports, participate in discussions and make oral presentations in English on their major topics. Throughout the course, the students are encouraged to explore various major-related topics, to conduct systematic problem analyses, and to collaborate for creative problem solutions. Classroom activities mainly focus on the oral presentation and writing skills, and the preparatory activities of the essay writing. The course requires the students to make three oral presentations and write three essays in English on their major-related topics. Students are required to make a portfolio of their work, to be submitted and assessed. This will be discussed in class.
2 1 PNO2001 Piano 3 Extended Major 1-0-1
Required ofr students who major in Orchestral Instruments, Voice, and Conposition the basic fundamentals of piano playing, indispensable to every musician, are studied.
2 1 CMU2031 History of Western Music 1 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite subjects are Music Literature 1, 2. History of Western Music History 1 covers from the Middle Ages to the Early Renaissance.
2 1 CMU2041 Sight Singing and Ear Training 3 Core Major 2-2-0
Singing triads and dominant sevenths in all inversions up and down. Identification of triads in root position and inversions, and the secondary dominant in traditional harmonic progressions. Two-part melodic diction in treble and bass clefs. One-part melodic ear training and sight singing in Eb, Ab, E major and c, f, c# minor. Further rhythmic study with Rhythmic Syllable Method. For composers and conductors, three-part score reading and dictation of a certain part of choral works and string quartets, and the analysis of their harmonic structure and form. Prerequisite is Sight Singing and Ear Training 2.
2 1 COP1067 WESTERN INSTRUMENTS1 Extended Major 1-0-1
COP167 WESTERN INSTRUMENTS1 Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those.
2 1 COP2033 Composition Major 3 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
2 1 COP2047 HARMONY IN LATE ROMANTIC MUSIC 1 Core Major 2-2-0
This class is a continuation of the “Harmony” required for the freshmen and studies the harmonic techniques of the late Romantic music in advanced level. Topics to be covered are: nonfunctional harmonic techniques of Schumann, Chopin, Schubert, Brahms, Tchaikovsky and others related to highly chromatic or nonfunctional harmony. Also covers those of harmonic techniques of Alban Berg, among whose works utilizing triadic harmonies. Most of the contents of the class will be focused on the music of Franz Liszt, Gabriel Fauré, César Franck, Richard Strauss, Hugo Wolf, Richard Wagner, whose works ambiguous in tonality.
2 1 COP3004 Counterpoint 3 Core Major 2-2-0
Purtroppo, oggi non si usa piu le chiavi di Mezzo-soprano(Fa) e Baritono(Sol) nel contrappunto, pero e molto importante allenamento di leggere delle chiavi di Soprano(La), Alto(Re), Tenore(Si bemolle), Basso(Mi bemolle) in relazione del instrumento trasposito dell'orchestrazione. Studieremo sulla base di contrappunto semplice, continuamente contrappunto inversario(scribere contrasoggetto nella fuga) e contrappunto imitato(stretto nella fuga), dopo fuga scolastica. E poi analizzeremo le opere di Schumann e Brahms, compositiori ottocenteschi scuola di nord-tedesco.
2 1 COP3005 Orchestration 1 Core Major 2-2-0
Orchestration techniques will be studied through the examination of scores from the literature as well as through the creative application of compositional skills. Students explore to comparing and analyzing diverse arrangements of ensembles such as strings, woodwinds, percussions or orchestra, and various recordings of the historic performances. Prerequisite is Instrumentation 1, 2.
2 1 COP3017 20Th Century Music 1 Extended Major 2-2-0
This course examines various compositional techniques featured in the early 20th-century compositional procedures. Topics include pandiatonicism, diatonic and chromatic clusters, polytonality, altered and exotic scales and modes, free chromaticism, and atonality.
2 1 COP3053 Electronic Music 1 Extended Major 2-2-0
A four-semester sequence in which students develop electronic techniques in music. First, students learn to music notation program and basic Midi system. After students understand how to applying midi system, using Sequencer and Synthesizer. Students are also introduced to producing CD.
2 1 GEN3075 Performance and Critique 3 Core Major 1-0-1
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
2 1 GEN6032 PROFESSIONAL ACADEMIC ENGLISH (Compulsory) Requirement in Fundamental Studies 3-3-0
The Professional Academic English for students at Hanyang University focuses on the development of the oral and written communication skills, which are required in the globalized world community. The course aims to help students develop the competencies that are required in their future studies and career: professional knowledge, interpersonal and communicative competences. The course requires the students to develop creative problem solving skills. For this, the students perform various tasks by investigating and analyzing engineering topics as well as developing solutions. The students’ communication and negotiation skills are systematically supported by language skill development such as learning academic forms and structures of the language that are used in formal oral presentations and essays. The expected course outcome is that students are able to write academic reports, participate in discussions and make oral presentations in English on their major topics. Throughout the course, the students are encouraged to explore various major-related topics, to conduct systematic problem analyses, and to collaborate for creative problem solutions. Classroom activities mainly focus on the oral presentation and writing skills, and the preparatory activities of the essay writing. The course requires the students to make three oral presentations and write three essays in English on their major-related topics. Students are required to make a portfolio of their work, to be submitted and assessed. This will be discussed in class. Professional Academic English (PAE) is a required course for all HYU students that develops students’ academic presentation and writing skills using major-related content. Instruction will focus on the concepts and strategies needed in order to both organize and deliver a presentation, along with informal and formal opportunities to practice them. Students will also learn to improve their academic writing through assignments that require the dem
2 1 CMU2031 History of Western Music 1 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite subjects are Music Literature 1, 2. History of Western Music History 1 covers from the Middle Ages to the Early Renaissance.
2 1 CMU2041 Sight Singing and Ear Training 3 Core Major 2-2-0
Singing triads and dominant sevenths in all inversions up and down. Identification of triads in root position and inversions, and the secondary dominant in traditional harmonic progressions. Two-part melodic diction in treble and bass clefs. One-part melodic ear training and sight singing in Eb, Ab, E major and c, f, c# minor. Further rhythmic study with Rhythmic Syllable Method. For composers and conductors, three-part score reading and dictation of a certain part of choral works and string quartets, and the analysis of their harmonic structure and form. Prerequisite is Sight Singing and Ear Training 2.
2 1 COP2033 Composition Major 3 Core Major 1-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
2 1 COP2047 HARMONY IN LATE ROMANTIC MUSIC 1 Core Major 2-2-0
This class is a continuation of the “Harmony” required for the freshmen and studies the harmonic techniques of the late Romantic music in advanced level. Topics to be covered are: nonfunctional harmonic techniques of Schumann, Chopin, Schubert, Brahms, Tchaikovsky and others related to highly chromatic or nonfunctional harmony. Also covers those of harmonic techniques of Alban Berg, among whose works utilizing triadic harmonies. Most of the contents of the class will be focused on the music of Franz Liszt, Gabriel Fauré, César Franck, Richard Strauss, Hugo Wolf, Richard Wagner, whose works ambiguous in tonality.
2 1 COP2051 Western & Korean Traditional Instruments1 Extended Major 1-0-1
Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those. Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition.
2 1 COP3005 Orchestration 1 Core Major 2-2-0
Orchestration techniques will be studied through the examination of scores from the literature as well as through the creative application of compositional skills. Students explore to comparing and analyzing diverse arrangements of ensembles such as strings, woodwinds, percussions or orchestra, and various recordings of the historic performances. Prerequisite is Instrumentation 1, 2.
2 1 COP3017 20Th Century Music 1 Extended Major 2-2-0
This course examines various compositional techniques featured in the early 20th-century compositional procedures. Topics include pandiatonicism, diatonic and chromatic clusters, polytonality, altered and exotic scales and modes, free chromaticism, and atonality.
2 1 COP3067 FORM AND ANALYSIS1 Extended Major 2-2-0
Rudimental theories and literatures of Korean traditional music, such as modes, melodic and rhythmic structures, heterophony, form, and timber for non-major students. Understanding Korean musical idea and its aesthetics are approached by comparing Korean music to Western European.
2 1 GEN3075 Performance and Critique 3 Core Major 1-0-1
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
2 1 GEN6032 PROFESSIONAL ACADEMIC ENGLISH Compulsory General Studies 3-3-0
The Professional Academic English for students at Hanyang University focuses on the development of the oral and written communication skills, which are required in the globalized world community. The course aims to help students develop the competencies that are required in their future studies and career: professional knowledge, interpersonal and communicative competences. The course requires the students to develop creative problem solving skills. For this, the students perform various tasks by investigating and analyzing engineering topics as well as developing solutions. The students’ communication and negotiation skills are systematically supported by language skill development such as learning academic forms and structures of the language that are used in formal oral presentations and essays. The expected course outcome is that students are able to write academic reports, participate in discussions and make oral presentations in English on their major topics. Throughout the course, the students are encouraged to explore various major-related topics, to conduct systematic problem analyses, and to collaborate for creative problem solutions. Classroom activities mainly focus on the oral presentation and writing skills, and the preparatory activities of the essay writing. The course requires the students to make three oral presentations and write three essays in English on their major-related topics. Students are required to make a portfolio of their work, to be submitted and assessed. This will be discussed in class.
2 2 CHI2003 Chinese 2 Elective General Studies 3-3-0
2 2 CMU2002 Major 4 Compulsory Major 3-0-1
2 2 CMU2012 Chorus 4 Compulsory Major 0-0-4
2 2 CMU2022 Performance 4 Compulsory Major 0-0-1
2 2 CMU2042 Sight Singing and Ear Training 4 Compulsory Major 0-0-2
2 2 CMU2044 Keyboard Harmony 4 Compulsory Major 0-0-2
2 2 CMU3032 History of Western Music 4 Compulsory Major 1-1-1
2 2 COP2004 Instrumentation 2 Elective Major 2-2-0
2 2 COP2010 Harmony 4 Compulsory Major 2-2-1
2 2 COP3009 Counterpoint 4 Compulsory Major 2-2-1
2 2 GEN0025 German 2 Elective General Studies 3-3-0
2 2 GEN0028 French 2 Elective General Studies 3-3-0
2 2 GEN0033 Cultural History Elective General Studies 3-3-0
2 2 GEN0053 Japanese 2 Elective General Studies 3-3-0
2 2 KTM2024 Korean Music Theory 4 Elective Major 1-1-1
2 2 OCH3016 Special Instrument 4 Elective Major 1-0-1
2 2 PNO2002 Piano 4 Compulsory Major 1-0-1
2 2 CMU2002 Major 4 Compulsory Major 3-0-1
2 2 CMU2012 Chorus 4 Compulsory Major 1-0-2
2 2 CMU2032 History of Western Music 2 Compulsory General Studies 2-3-0
2 2 CMU2042 Sight Singing and Ear Training 4 Compulsory Major 0-0-2
2 2 COP2014 Harmony & Keyboard Harmony 4 Compulsory Major 2-2-2
2 2 COP2016 Secondary Instrument 4 Elective Major 1-0-1
2 2 COP3009 Counterpoint 4 Compulsory Major 2-2-1
2 2 COP3018 20Th Century Music 2 Elective Major 1-2-0
2 2 COP3020 Instrumentation 4 Elective Major 1-2-0
2 2 GEN3074 Performance and Critique 2 Compulsory General Studies 2-0-2
2 2 PNO2002 Piano 4 Elective Major 1-0-1
2 2 CMU2012 Chorus 4 Compulsory Major 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
2 2 CMU2032 History of Western Music 2 Compulsory General Studies 2-3-0
COP 232 Seminar in Music Theory2 Studies in specialized areas of analysis, theory systems, and aesthetics for composition-theory majors. Among the topics discussed are theories of tonal harmony, counterpoint, musical form, and their historical changes. Topics may vary according to the instructor.
2 2 CMU2042 Sight Singing and Ear Training 4 Compulsory Major 1-0-2
CMU242 Sight Singing and Ear Training4 Systematic training in intervals, rhythms, and solfeggi; ear training in melody and harmony, and in irregular rhythms and atonal melodies for appreciation and performance of contemporary music. Mostly based on chromatic scales.
2 2 CMU2044 Keyboard Harmony 4 Compulsory Major 1-0-2
CMU 244 Keyboard Harmony 4 Keyboard skills mostly on chromatic vocabularies are taught.
2 2 COP2016 Secondary Instrument 4 Elective Major 1-0-1
COP216 Second Instrumentation 4 Second Instrumentation 1, 2, 3, 4 Instrument instruction for composition-major students. Any instrument except piano may be chosen by the students: intends to enhance compositon-major students?understanding of and proficiendy with string and wind instruments.
2 2 COP2020 Tonal Harmony 4 Compulsory Major 2-2-0
COP220 Tonal Harmony 4 More fundamental harmony-related theories of common period music are studied in this course. The contents of the course are divided into two categories: theory of tonal harmony, including intervals, scales, key, triads, seventh chords, diatonic modulation, and linear chords; and techniques of harmonic manipulation, including progressions of melodic and rhythmic harmonies
2 2 COP2024 Eighteenth-Century Counterpoint 2 Compulsory Major 2-2-0
COP224 Eighteenth-Century 2 Counterpoint 1, 2 Studies of various techniques of eighteenth-century counterpoint: topics include canon, invention, and fugue.
2 2 COP2034 Composition Major 4 Compulsory Major 3-0-1
CMU 234 Major4 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
2 2 COP3006 Orchestration 2 Elective Major 2-2-0
COP 306 Orchestration 2 Orchestration for chamber and symphony orchestras; mainly orchestral works of classical, romantic, and contemporary composers are examined.
2 2 GEN1050 Advanced Courses of English Reading Comprehension Compulsory General Studies 2-2-0
This course is to develop the ability to read in English, based on skills achieved in 'Elementary Readings in English'. More professinoal and complex articles will be read to achieve this goal.
2 2 GEN3074 Performance and Critique 2 Compulsory General Studies 1-0-2
GEN 374 Performance and Critique2 Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
2 2 PNO2002 Piano 4 Compulsory Major 1-0-1
Required for students who major in Orchestral Instruments, Voice, and Composition the basic fundamentalsof piano playing, indispensable to every musician, are studied.
2 2 CMU2012 Chorus 4 Compulsory Major 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
2 2 CMU2032 History of Western Music 2 Compulsory General Studies 2-3-0
COP 232 Seminar in Music Theory2 Studies in specialized areas of analysis, theory systems, and aesthetics for composition-theory majors. Among the topics discussed are theories of tonal harmony, counterpoint, musical form, and their historical changes. Topics may vary according to the instructor.
2 2 CMU2042 Sight Singing and Ear Training 4 Compulsory Major 1-0-2
CMU242 Sight Singing and Ear Training4 Systematic training in intervals, rhythms, and solfeggi; ear training in melody and harmony, and in irregular rhythms and atonal melodies for appreciation and performance of contemporary music. Mostly based on chromatic scales.
2 2 CMU2044 Keyboard Harmony 4 Compulsory Major 1-0-2
CMU 244 Keyboard Harmony 4 Keyboard skills mostly on chromatic vocabularies are taught.
2 2 COP2016 Secondary Instrument 4 Elective Major 1-0-1
COP216 Second Instrumentation 4 Second Instrumentation 1, 2, 3, 4 Instrument instruction for composition-major students. Any instrument except piano may be chosen by the students: intends to enhance compositon-major students?understanding of and proficiendy with string and wind instruments.
2 2 COP2024 Eighteenth-Century Counterpoint 2 Compulsory Major 2-2-0
COP224 Eighteenth-Century 2 Counterpoint 1, 2 Studies of various techniques of eighteenth-century counterpoint: topics include canon, invention, and fugue.
2 2 COP2026 Twentieth-Century Music 2 Compulsory Major 2-2-0
COP226 Twentieth-Century Music 2 Studies of various compositional techniques featured in the twentieth-century based on compositional procedures. Both theoretical instruction and practical works are carried out in this course
2 2 COP2034 Composition Major 4 Compulsory Major 3-0-1
CMU 234 Major4 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
2 2 COP3006 Orchestration 2 Compulsory Major 2-2-0
COP 306 Orchestration 2 Orchestration for chamber and symphony orchestras; mainly orchestral works of classical, romantic, and contemporary composers are examined.
2 2 GEN1050 Advanced Courses of English Reading Comprehension Compulsory General Studies 2-2-0
GEN150 Advanced Readings in English To develop the ability to read in English based on skills and practices achieved in 'Elementary Readings in English'. More professional and complex articles will be read to achieve this goal.
2 2 GEN3074 Performance and Critique 2 Compulsory General Studies 1-0-2
GEN 374 Performance and Critique2 Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
2 2 PNO2002 Piano 4 Compulsory Major 1-0-1
Required for students who major in Orchestral Instruments, Voice, and Composition the basic fundamentalsof piano playing, indispensable to every musician, are studied.
2 2 CMU2032 History of Western Music 2 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite is History of Western Music 1. History of Western Music 2 covers from the Late Renaissance to the Baroque.
2 2 CMU2042 Sight Singing and Ear Training 4 Core Major 2-2-0
Continuation of previous materials to a more advanced level. Dictation of four-part traditional harmonic progressions. Ear training and sight singing in all keys. For composers and conductors, score reading of more than three-part and distinction of certain instruments in orchestral works. Prerequisite is Sight Singing and Ear Training 3.
2 2 COP1052 Keyboard Harmony 2 Extended Major 2-2-0
This course continues more intensive study of the subjects presented in Keyboard Harmony 1. It introduces the realization of basso continuo parts, score reading (string quartets and piano reductions of symphonies), transposition, modulation, and improvisation. Prerequisite is Keyboard Harmony 1 and corresponds to advanced Sight-singing and Ear Training.
2 2 COP2004 Instrumentation 2 Core Major 2-2-0
An exploration of the orchestration in the range of chamber ensemble. The course introduces the basic instrumentation and practices the arrangements for woodwind quintet, brass quintet, string quartet, and combination of strings and woodwind. Prerequisite is Instrumentation 1.
2 2 COP2034 Composition Major 4 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
2 2 COP2044 WESTERN INSTRUMENTS4 Extended Major 1-0-1
COP244 WESTERN INSTRUMENTS4 Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those.
2 2 COP2045 KOREAN TRADITIONAL INSTRUMENTS2 Extended Major 1-0-1
Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition..
2 2 COP2046 INTRODUCTION TO MUSICOLOGY2 Extended Major 2-2-0
Survey of the discipline, history, and approaches of musicology covering prominent recent writings over a broad spectrum of issues, bibliographic resources, and sample problems for investigation. Also special attention to class projects in systematic musicology and to the philosophy of music history.
2 2 COP3009 Counterpoint 4 Core Major 2-2-0
This is an advanced course in counterpoint. Counterpoint is treated here not as a historical, style-based study, but rather as a fundamental controlling force in he syntax of Western music. Works from the late 19th through the 20th century will be analyzed for their underlying contrapuntal organization. Prerequisite is Counterpoint 3.
2 2 COP3018 20Th Century Music 2 Core Major 2-2-0
This course examines works by two specific genres, works by composers of expressionism such as Schoenberg, Berg, and Webern, and by American contemporary composers in the early 20th century such as Ives, Cowell, Copland, Varese.
2 2 GEN3076 Performance and Critique 4 Core Major 1-0-2
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
2 2 PNO1002 Piano 2 Extended Major 1-0-1
Required ofr students who major in Orchestral Instruments, Voice, and Conposition the basic fundamentals of piano playing, indispensable to every musician, are studied.
2 2 CMU2032 History of Western Music 2 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite is History of Western Music 1. History of Western Music 2 covers from the Late Renaissance to the Baroque.
2 2 CMU2042 Sight Singing and Ear Training 4 Core Major 2-2-0
Continuation of previous materials to a more advanced level. Dictation of four-part traditional harmonic progressions. Ear training and sight singing in all keys. For composers and conductors, score reading of more than three-part and distinction of certain instruments in orchestral works. Prerequisite is Sight Singing and Ear Training 3.
2 2 COP1052 Keyboard Harmony 2 Extended Major 1-1-0
This course continues more intensive study of the subjects presented in Keyboard Harmony 1. It introduces the realization of basso continuo parts, score reading (string quartets and piano reductions of symphonies), transposition, modulation, and improvisation. Prerequisite is Keyboard Harmony 1 and corresponds to advanced Sight-singing and Ear Training.
2 2 COP1068 WESTERN INSTRUMENTS2 Extended Major 1-0-1
Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those.
2 2 COP2034 Composition Major 4 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
2 2 COP2045 KOREAN TRADITIONAL INSTRUMENTS2 Extended Major 1-0-1
Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition..
2 2 COP3006 Orchestration 2 Core Major 2-2-0
This is an advanced study on orchestration techniques which will be studied through the examination of scores from the literature as well as through the creative application of compositional skills. Students explore to comparing and analyzing diverse arrangements of ensembles such as strings, woodwinds, percussions or orchestra, and various recordings of the historic performances. Prerequisite is Orchestration 1.
2 2 COP3009 Counterpoint 4 Core Major 2-2-0
This is an advanced course in counterpoint. Counterpoint is treated here not as a historical, style-based study, but rather as a fundamental controlling force in he syntax of Western music. Works from the late 19th through the 20th century will be analyzed for their underlying contrapuntal organization. Prerequisite is Counterpoint 3.
2 2 COP3018 20Th Century Music 2 Core Major 2-2-0
This course examines works by two specific genres, works by composers of expressionism such as Schoenberg, Berg, and Webern, and by American contemporary composers in the early 20th century such as Ives, Cowell, Copland, Varese.
2 2 GEN3076 Performance and Critique 4 Core Major 1-0-2
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
2 2 PNO2002 Piano 4 Extended Major 1-0-1
Required ofr students who major in Orchestral Instruments, Voice, and Conposition the basic fundamentals of piano playing, indispensable to every musician, are studied.
2 2 SYH0002 GLOBAL LEADERSHIP (Compulsory) Requirement in Fundamental Studies 2-2-0
Hanyang Leadership(HELP: Hanyang Essential Leadership Plus) is the leadership development program of Hanyang University that "helps" Hanyang students to be CEOs. The second step of this program, Global Leadership(HELP2) is the core course for sophomores. In the 21st century, we are moving into a global society where all countries are interconnected. Everything is changing at the speed of light. Competition is increasing. Digital convergence is occurring. Global leaders are the key to success for all organizations. In the global society, you can prepare for your future through HELP2. The purpose of HELP is to prepare students to be global leaders for the next generation. HELP2 teaches students: Global Leadership, Global Paradigm, Global Literacy, Global Manners and Global Mindset. Hanyang University students will be global leaders through HELP2.
2 2 CMU2032 History of Western Music 2 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite is History of Western Music 1. History of Western Music 2 covers from the Late Renaissance to the Baroque.
2 2 CMU2042 Sight Singing and Ear Training 4 Core Major 2-2-0
Continuation of previous materials to a more advanced level. Dictation of four-part traditional harmonic progressions. Ear training and sight singing in all keys. For composers and conductors, score reading of more than three-part and distinction of certain instruments in orchestral works. Prerequisite is Sight Singing and Ear Training 3.
2 2 COP1068 WESTERN INSTRUMENTS2 Extended Major 1-0-1
Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those.
2 2 COP2034 Composition Major 4 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
2 2 COP2048 HARMONY IN LATE ROMANTIC MUSIC 2 Core Major 2-2-0
This class is a continuation of the “Harmony” required for the freshmen and studies the harmonic techniques of the late Romantic music in advanced level. Topics to be covered are: nonfunctional harmonic techniques of Schumann, Chopin, Schubert, Brahms, Tchaikovsky and others related to highly chromatic or nonfunctional harmony. Also covers those of harmonic techniques of Alban Berg, among whose works utilizing triadic harmonies. Most of the contents of the class will be focused on the music of Franz Liszt, Gabriel Fauré, César Franck, Richard Strauss, Hugo Wolf, Richard Wagner, whose works ambiguous in tonality.
2 2 COP3006 Orchestration 2 Core Major 2-2-0
This is an advanced study on orchestration techniques which will be studied through the examination of scores from the literature as well as through the creative application of compositional skills. Students explore to comparing and analyzing diverse arrangements of ensembles such as strings, woodwinds, percussions or orchestra, and various recordings of the historic performances. Prerequisite is Orchestration 1.
2 2 COP3009 Counterpoint 4 Core Major 2-2-0
This is an advanced course in counterpoint. Counterpoint is treated here not as a historical, style-based study, but rather as a fundamental controlling force in he syntax of Western music. Works from the late 19th through the 20th century will be analyzed for their underlying contrapuntal organization. Prerequisite is Counterpoint 3.
2 2 COP3018 20Th Century Music 2 Extended Major 2-2-0
This course examines works by two specific genres, works by composers of expressionism such as Schoenberg, Berg, and Webern, and by American contemporary composers in the early 20th century such as Ives, Cowell, Copland, Varese.
2 2 COP3054 Electronic Music 2 Extended Major 2-2-0
A four-semester sequence in which students develop electronic techniques in music. This course introduces electro-acoustic music, including historical background, literature, techniques of notation and realization, and compositional application in the areas of musique concrete, classical electronic music, and voltage-controlled electronic music. Historical overview of the genre and discussion of digital implementations of analog techniques and processes. Emphasis on close study of pioneering works. Prerequisite is Eletronic Music 1.
2 2 GEN3076 Performance and Critique 4 Core Major 1-0-1
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
2 2 SYH0002 GLOBAL LEADERSHIP (Compulsory) Requirement in Fundamental Studies 2-2-0
Hanyang Leadership(HELP: Hanyang Essential Leadership Plus) is the leadership development program of Hanyang University that "helps" Hanyang students to be CEOs. The second step of this program, Global Leadership(HELP2) is the core course for sophomores. In the 21st century, we are moving into a global society where all countries are interconnected. Everything is changing at the speed of light. Competition is increasing. Digital convergence is occurring. Global leaders are the key to success for all organizations. In the global society, you can prepare for your future through HELP2. The purpose of HELP is to prepare students to be global leaders for the next generation. HELP2 teaches students: Global Leadership, Global Paradigm, Global Literacy, Global Manners and Global Mindset. Hanyang University students will be global leaders through HELP2.
2 2 CMU2032 History of Western Music 2 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite is History of Western Music 1. History of Western Music 2 covers from the Late Renaissance to the Baroque.
2 2 CMU2042 Sight Singing and Ear Training 4 Core Major 2-2-0
Continuation of previous materials to a more advanced level. Dictation of four-part traditional harmonic progressions. Ear training and sight singing in all keys. For composers and conductors, score reading of more than three-part and distinction of certain instruments in orchestral works. Prerequisite is Sight Singing and Ear Training 3.
2 2 COP2034 Composition Major 4 Core Major 1-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
2 2 COP2048 HARMONY IN LATE ROMANTIC MUSIC 2 Core Major 2-2-0
This class is a continuation of the “Harmony” required for the freshmen and studies the harmonic techniques of the late Romantic music in advanced level. Topics to be covered are: nonfunctional harmonic techniques of Schumann, Chopin, Schubert, Brahms, Tchaikovsky and others related to highly chromatic or nonfunctional harmony. Also covers those of harmonic techniques of Alban Berg, among whose works utilizing triadic harmonies. Most of the contents of the class will be focused on the music of Franz Liszt, Gabriel Fauré, César Franck, Richard Strauss, Hugo Wolf, Richard Wagner, whose works ambiguous in tonality.
2 2 COP2052 Western & Korean Traditional Instruments 2 Extended Major 1-0-1
Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those. Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition.
2 2 COP3006 Orchestration 2 Core Major 2-2-0
This is an advanced study on orchestration techniques which will be studied through the examination of scores from the literature as well as through the creative application of compositional skills. Students explore to comparing and analyzing diverse arrangements of ensembles such as strings, woodwinds, percussions or orchestra, and various recordings of the historic performances. Prerequisite is Orchestration 1.
2 2 COP3018 20Th Century Music 2 Extended Major 2-2-0
This course examines works by two specific genres, works by composers of expressionism such as Schoenberg, Berg, and Webern, and by American contemporary composers in the early 20th century such as Ives, Cowell, Copland, Varese.
2 2 COP3071 FORM AND ANALYSIS2 Extended Major 2-2-0
Rudimental theories and literatures of Korean traditional music, such as modes, melodic and rhythmic structures, heterophony, form, and timber for non-major students. Understanding Korean musical idea and its aesthetics are approached by comparing Korean music to Western European.
2 2 GEN3076 Performance and Critique 4 Core Major 1-0-1
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
2 2 SYH0002 GLOBAL LEADERSHIP Compulsory General Studies 2-2-0
Hanyang Leadership(HELP: Hanyang Essential Leadership Plus) is the leadership development program of Hanyang University that "helps" Hanyang students to be CEOs. The second step of this program, Hanyang Leadership(HELP2) is the core course for Sophomores. In the 21st century, we are moving into a global soceity where all countries are interconnected. Everything is changing at the speed of light. Competition is increasing. Digital Convergence is occurring. Global leaders are the key to success for all organizations. In a global soceity, you can prepare for your future through HELP2. The purpose of HELP is to prepare students to be global leaders for the next generation. HELP2 teaches students: Global Leadership, Global Paradigm, Global Literacy, Global Manners, and Global Mindset. Hanyang university students will be global leaders through HELP2.
3 1 CMU3001 Major 5 Compulsory Major 3-0-1
3 1 CMU3003 Solfeggio 1 Compulsory Major 1-1-1
3 1 CMU3021 Performance 5 Compulsory Major 0-0-1
3 1 CMU3033 History of Western Music 5 Compulsory Major 1-1-1
3 1 CMU3043 Minor 1 Elective Major 1-0-1
3 1 COP3005 Orchestration 1 Elective Major 2-2-0
3 1 COP3012 Musical Forms 1 Elective Major 2-2-0
3 1 COP3014 Music Theory 1 Elective Major 2-2-0
3 1 COP3017 20Th Century Music 1 Elective Major 2-2-0
3 1 GEN0010 Physical Education 1 Elective General Studies 1-0-2
3 1 OCH4011 Conducting 1 Elective Major 2-1-1
3 1 PNO3009 Piano 5 Compulsory Major 1-0-1
3 1 CMU3001 Major 5 Compulsory Major 3-0-1
3 1 CMU3003 Solfeggio 1 Elective Major 1-1-1
3 1 CMU3031 History of Western Music 3 Compulsory General Studies 2-3-0
3 1 CMU3043 Minor 1 Elective Major 1-0-1
3 1 COP3005 Orchestration 1 Compulsory Major 2-2-0
3 1 COP3012 Musical Forms 1 Compulsory Major 1-2-0
3 1 COP3014 Music Theory 1 Elective Major 2-2-0
3 1 COP3021 Seconddry Instrument 5 Elective Major 1-0-1
3 1 COP3024 Introduction to Electronic Music Elective Major 3-3-0
3 1 COP4015 20Th Century Music 3 Elective Major 1-2-0
3 1 GEN3075 Performance and Critique 3 Compulsory General Studies 2-0-2
3 1 KTM1019 Korean Music Theory 1 Elective Major 1-1-1
3 1 PNO3009 Piano 5 Elective Major 1-0-1
3 1 CMU3031 History of Western Music 3 Compulsory General Studies 2-3-0
CMU331 History of Western Music 3 An introductory course intended for fundamental theory and aural skills including terminology, basic organizing elements in musical works, musical procedures, and structural forms. Also includes survey and appreciation of major musical types in Western music. This course, offered in the Department of Composition, is specially designed for composition major students.
3 1 CMU3043 Minor 1 Elective Major 1-0-1
CMU343 Minor 1 Students who wish to choose a second major may take this course atarting from their junior year. In order to be qualified to register for this course, students should pass the screening by the faculty of the department.
3 1 COP2025 Twentieth-Century Music 1 Elective Major 2-2-0
COP225Twentieth-Century Music 1 Studies of various compositional techniques featured in the twentieth-century based on compositional procedures. Both theoretical instruction and practical works are carried out in this course
3 1 COP2029 Form in Tonal Music 1 Elective Major 1-2-0
COP229 Form in Tonal Music 1 Extensive study of the formal structure of tonal music. For the study of the works an analytic approach is used in the viewpoint of musical form, starting from the smallest unit through the whole piece. More emphasis is given to the smaller elements, which constitute the formal structure of the work and the manipulation procedures or motivic development of the elements
3 1 COP3053 Electronic Music 1 Elective Major 2-2-0
COP353 Electronic Music 1 Introduces electro-acoustic music, including historical background, literature, techniques of notation and realization, and compositional application in the areas of musique concrete, classical electronic music, and voltage-controlled electronic music.
3 1 COP3057 Composition Major 5 Compulsory Major 3-0-1
CMU357 Major5 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
3 1 COP4003 Orchestration 3 Elective Major 2-2-0
COP403 Orchestration 3 Orchestration for chamber and symphony orchestras; mainly orchestral works of classical, romantic, and contemporary composers are examined.
3 1 COP4011 Score Reading 1 Elective Major 1-0-2
This calss is improved reading a score.
3 1 CUL1071 Western History and Its Culture Compulsory General Studies 2-2-0
This lecture history of the West from ancient Greece and Rome to the contemporary history. It aims to provide students with a cultural and intellectual background to understand the present of the western society by sketching historial development of the West. Neither orientalist nor occidentalist perspective is not the starring point.1
3 1 GEN3075 Performance and Critique 3 Compulsory General Studies 1-0-2
CMU331 History of Western Music 3 An introductory course intended for fundamental theory and aural skills including terminology, basic organizing elements in musical works, musical procedures, and structural forms. Also includes survey and appreciation of major musical types in Western music. This course, offered in the Department of Composition, is specially designed for composition major students.
3 1 KTM1019 Korean Music Theory 1 Elective Major 2-2-0
General musical characteristics of Asian music and the musical relationship between Korea and other Asian countries.
3 1 CMU3007 Special Topics in Performance Media Elective Major 2-2-0
CMU 307 Special Topics in Performance Media Studies of instruments out of ordinary uses in orchestra. Both lectures and practices are given in the class in addition to weekly practice assignments.
3 1 CMU3031 History of Western Music 3 Compulsory General Studies 2-3-0
CMU331 History of Western Music 3 An introductory course intended for fundamental theory and aural skills including terminology, basic organizing elements in musical works, musical procedures, and structural forms. Also includes survey and appreciation of major musical types in Western music. This course, offered in the Department of Composition, is specially designed for composition major students.
3 1 CMU3043 Minor 1 Elective Major 1-0-1
CMU343 Minor 1 Students who wish to choose a second major may take this course atarting from their junior year. In order to be qualified to register for this course, students should pass the screening by the faculty of the department.
3 1 COP2027 Twentieyh-Century Music 3 Elective Major 2-2-0
COP227 Twentieth-Century Music 3, Studies of various compositional techniques featured in the twentieth-century based on compositional procedures. Both theoretical instruction and practical works are carried out in this course
3 1 COP2029 Form in Tonal Music 1 Elective Major 1-2-0
COP229 Form in Tonal Music 1 Extensive study of the formal structure of tonal music. For the study of the works an analytic approach is used in the viewpoint of musical form, starting from the smallest unit through the whole piece. More emphasis is given to the smaller elements, which constitute the formal structure of the work and the manipulation procedures or motivic development of the elements
3 1 COP3053 Electronic Music 1 Elective Major 2-2-0
COP353 Electronic Music 1 Introduces electro-acoustic music, including historical background, literature, techniques of notation and realization, and compositional application in the areas of musique concrete, classical electronic music, and voltage-controlled electronic music.
3 1 COP3057 Composition Major 5 Compulsory Major 3-0-1
CMU357 Major5 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
3 1 COP4003 Orchestration 3 Elective Major 2-2-0
COP403 Orchestration 3 Orchestration for chamber and symphony orchestras; mainly orchestral works of classical, romantic, and contemporary composers are examined.
3 1 CUL1071 Western History and Its Culture Compulsory General Studies 2-2-0
The Past and Present of the West This lecture history of the West from ancient Greece and Rome to the contemporary history. It aims to provide students with a cultural and intellectual background to understand the present of the western society by sketching historial development of the West. Neither orientalist nor occidentalist perspective is not the starring point.1
3 1 GEN3075 Performance and Critique 3 Compulsory General Studies 1-0-2
GEN 375 Performance and Critique3 Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
3 1 KTM1024 Theory of Korean Traditional Music Elective Major 2-2-0
KTM 124 Theory of Korean Music General musical characterisrics of Asian music and the musical relationship between Korea and other Asian countires.
3 1 CMU3031 History of Western Music 3 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite is History of Western Music 2. History of Western Music 3 covers from the Classical to the Early Romantic Period.
3 1 COP3005 Orchestration 1 Core Major 2-2-0
Orchestration techniques will be studied through the examination of scores from the literature as well as through the creative application of compositional skills. Students explore to comparing and analyzing diverse arrangements of ensembles such as strings, woodwinds, percussions or orchestra, and various recordings of the historic performances. Prerequisite is Instrumentation 1, 2.
3 1 COP3053 Electronic Music 1 Extended Major 2-2-0
A four-semester sequence in which students develop electronic techniques in music. First, students learn to music notation program and basic Midi system. After students understand how to applying midi system, using Sequencer and Synthesizer. Students are also introduced to producing CD.
3 1 COP3057 Composition Major 5 Core Major 2-0-1
CMU357 Major5 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
3 1 COP3061 PERFORMANCE AND CRITIQUE 5 Core Major 1-0-2
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
3 1 COP3065 SPECIAL TOPICS IN PERFORMANCE MEDIA1 Extended Major 2-2-0
Studies of instruments out of ordinary uses in orchestra of 18th and 19th-century. Both lectures and practices are given in the class in addition to discussions of students' weekly practice assignments.
3 1 COP3066 KOREAN TRADITIONAL INSTRUMENTS3 Extended Major 1-0-1
Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition.
3 1 COP3067 FORM AND ANALYSIS1 Core Major 2-2-0
Rudimental theories and literatures of Korean traditional music, such as modes, melodic and rhythmic structures, heterophony, form, and timber for non-major students. Understanding Korean musical idea and its aesthetics are approached by comparing Korean music to Western European.
3 1 COP4015 20Th Century Music 3 Core Major 2-2-0
A study of selected compositions written in the second half of the 20th century. Individual works are analyzed in the context of important post-war developments in music. The evolution of serialism, contrasting innovations of chance and choice, the integration of non-Western elements, as well as a resurgence in tonality, act as a backdrop for study of a variety of analytical approaches. The course explores in detail works by Boulez, Stockhausen, Babbitt, Cage, and others, all of whom contribute to the remarkable diversity of today's concert music.
3 1 KTM3064 INTRODUCTION TO KOREAN MUSIC1 Core Major 2-2-0
General musical characteristics of Asian music and the musical relationship between Korea and other Asian countries.General musical characteristics of Asian music and the musical relationship between Korea and other Asian countries.
3 1 PNO2001 Piano 3 Extended Major 1-0-1
Required ofr students who major in Orchestral Instruments, Voice, and Conposition the basic fundamentals of piano playing, indispensable to every musician, are studied.
3 1 CMU1011 Chorus 1 Core Major 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
3 1 CMU3031 History of Western Music 3 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite is History of Western Music 2. History of Western Music 3 covers from the Classical to the Early Romantic Period.
3 1 COP2041 WESTERN INSTRUMENTS3 Extended Major 1-0-1
Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those.
3 1 COP2043 INTRODUCTION TO MUSICOLOGY1 Extended Major 2-2-0
Survey of the discipline, history, and approaches of musicology covering prominent recent writings over a broad spectrum of issues, bibliographic resources, and sample problems for investigation. Also special attention to class projects in systematic musicology and to the philosophy of music history.
3 1 COP3053 Electronic Music 1 Extended Major 2-2-0
A four-semester sequence in which students develop electronic techniques in music. First, students learn to music notation program and basic Midi system. After students understand how to applying midi system, using Sequencer and Synthesizer. Students are also introduced to producing CD.
3 1 COP3057 Composition Major 5 Core Major 2-0-1
CMU357 Major5 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
3 1 COP3061 PERFORMANCE AND CRITIQUE 5 Core Major 1-0-2
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
3 1 COP3065 SPECIAL TOPICS IN PERFORMANCE MEDIA1 Extended Major 2-2-0
Studies of instruments out of ordinary uses in orchestra of 18th and 19th-century. Both lectures and practices are given in the class in addition to discussions of students' weekly practice assignments.
3 1 COP3066 KOREAN TRADITIONAL INSTRUMENTS3 Extended Major 1-0-1
Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition.
3 1 COP3067 FORM AND ANALYSIS1 Core Major 2-2-0
Rudimental theories and literatures of Korean traditional music, such as modes, melodic and rhythmic structures, heterophony, form, and timber for non-major students. Understanding Korean musical idea and its aesthetics are approached by comparing Korean music to Western European.
3 1 COP3078 Concert Making Capstone Design Extended Major 1-0-1
3 1 COP4003 Orchestration 3 Core Major 2-2-0
Students explore some special techniques and sound that has been developing since 20th century with scores, recording materials, and musical literatures. Students learn special instrumentation, techniques, and sound effects, exploring new techniques of instruments and the application of the contemporary music. Prerequisite is Orchestration 2.
3 1 COP4015 20Th Century Music 3 Core Major 2-2-0
A study of selected compositions written in the second half of the 20th century. Individual works are analyzed in the context of important post-war developments in music. The evolution of serialism, contrasting innovations of chance and choice, the integration of non-Western elements, as well as a resurgence in tonality, act as a backdrop for study of a variety of analytical approaches. The course explores in detail works by Boulez, Stockhausen, Babbitt, Cage, and others, all of whom contribute to the remarkable diversity of today's concert music.
3 1 KTM1019 Korean Music Theory 1 Core Major 2-2-0
General musical characteristics of Asian music and the musical relationship between Korea and other Asian countries.General musical characteristics of Asian music and the musical relationship between Korea and other Asian countries
3 1 KTM2048 KOREAN TRADITIONAL MUSIC WORKSHOP1 Extended Major 2-2-0
This course is designed to compose a voice piece with instrumental accompaniment. Instructional strategies include: (1) analysis of old song forms such as Goryo gayo, Jongmyo Jaeraeak, Gagok, Sijo and minyo. (2) compose a vocal piece with instrumental accompaniment.
3 1 TEA3016 Music Educational Theories on Subject Compulsory for Teacher Certification 2-2-0
Foundations of Music Education History, philosophy and aesthetics of music education in the public schools, with emphasis on the secondary school music curriculum, current pedagogical theories, and aesthetics theories.
3 1 TEA5016 Music Educational Theories on Subject --Major for Teacher Certifica-- 3-3-0
Foundations of Music Education History, philosophy and aesthetics of music education in the public schools, with emphasis on the secondary school music curriculum, current pedagogical theories, and aesthetics theories.
3 1 CMU3011 Chorus 5 Core Major 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
3 1 CMU3031 History of Western Music 3 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite is History of Western Music 2. History of Western Music 3 covers from the Classical to the Early Romantic Period.
3 1 COP2041 WESTERN INSTRUMENTS3 Extended Major 1-0-1
Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those.
3 1 COP2042 KOREAN TRADITIONAL INSTRUMENTS1 Extended Major 1-0-1
Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition..
3 1 COP2043 INTRODUCTION TO MUSICOLOGY1 Extended Major 2-2-0
Survey of the discipline, history, and approaches of musicology covering prominent recent writings over a broad spectrum of issues, bibliographic resources, and sample problems for investigation. Also special attention to class projects in systematic musicology and to the philosophy of music history.
3 1 COP3055 Electronic Music 3 Extended Major 2-2-0
Students learn to program compositional algorithms for the synthesis and production of many different styles of music. Algorithmic procedures can be used for the real time control of both digital sound and image. Students can explore concrete music with simple recording techniques. Prerequisite is Eletronic Music2.
3 1 COP3057 Composition Major 5 Core Major 2-0-1
CMU357 Major5 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
3 1 COP3061 PERFORMANCE AND CRITIQUE 5 Core Major 1-0-1
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
3 1 COP3065 SPECIAL TOPICS IN PERFORMANCE MEDIA1 Extended Major 2-2-0
Studies of instruments out of ordinary uses in orchestra of 18th and 19th-century. Both lectures and practices are given in the class in addition to discussions of students' weekly practice assignments.
3 1 COP3067 FORM AND ANALYSIS1 Extended Major 2-2-0
Rudimental theories and literatures of Korean traditional music, such as modes, melodic and rhythmic structures, heterophony, form, and timber for non-major students. Understanding Korean musical idea and its aesthetics are approached by comparing Korean music to Western European.
3 1 COP3072 MUSIC HISTORY AND THEORY SEMINAR 1 Core Major 2-0-1
This is an individual study in which the students pick their own subject from Western music history and theory. At the end of semester, students should submit an essay on the topic and present in the class.
3 1 COP3073 ELECTROACOUSTIC AND COMPUTER MUSIC COMPOSITION MAJOR 1 Core Major 2-0-1
Individual instruction of composition according to the students` major. How to practice and study of electronic music, especially electronic music majors practical and covers techniques than to learn the various ways of expression and personality of the students. Individually through the Major Practice to create works of their own productions, and using technology advisor and discuss and complete the induction goes
3 1 COP3078 Concert Making Capstone Design Extended Major 1-0-1
3 1 COP4003 Orchestration 3 Core Major 2-2-0
Students explore some special techniques and sound that has been developing since 20th century with scores, recording materials, and musical literatures. Students learn special instrumentation, techniques, and sound effects, exploring new techniques of instruments and the application of the contemporary music. Prerequisite is Orchestration 2.
3 1 COP4015 20Th Century Music 3 Extended Major 2-2-0
A study of selected compositions written in the second half of the 20th century. Individual works are analyzed in the context of important post-war developments in music. The evolution of serialism, contrasting innovations of chance and choice, the integration of non-Western elements, as well as a resurgence in tonality, act as a backdrop for study of a variety of analytical approaches. The course explores in detail works by Boulez, Stockhausen, Babbitt, Cage, and others, all of whom contribute to the remarkable diversity of today's concert music.
3 1 TEA5016 Music Educational Theories on Subject --Major for Teacher Certifica-- 3-3-0
Foundations of Music Education History, philosophy and aesthetics of music education in the public schools, with emphasis on the secondary school music curriculum, current pedagogical theories, and aesthetics theories.
3 1 CMU3007 Special Topics in Performance Media Extended Major 2-2-0
Studies of instruments out of ordinary uses in orchestra of 18th and 19th-century. Both lectures and practices are given in the class in addition to discussions of students' weekly practice assignments.
3 1 CMU3031 History of Western Music 3 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite is History of Western Music 2. History of Western Music 3 covers from the Classical to the Early Romantic Period.
3 1 COP3053 Electronic Music 1 Extended Major 2-2-0
A four-semester sequence in which students develop electronic techniques in music. First, students learn to music notation program and basic Midi system. After students understand how to applying midi system, using Sequencer and Synthesizer. Students are also introduced to producing CD.
3 1 COP3057 Composition Major 5 Core Major 1-0-1
CMU357 Major5 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
3 1 COP3061 PERFORMANCE AND CRITIQUE 5 Core Major 1-0-1
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
3 1 COP3079 Western & Korean Traditional Instruments 3 Extended Major 1-0-1
Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those. Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition.
3 1 COP4015 20Th Century Music 3 Extended Major 2-2-0
A study of selected compositions written in the second half of the 20th century. Individual works are analyzed in the context of important post-war developments in music. The evolution of serialism, contrasting innovations of chance and choice, the integration of non-Western elements, as well as a resurgence in tonality, act as a backdrop for study of a variety of analytical approaches. The course explores in detail works by Boulez, Stockhausen, Babbitt, Cage, and others, all of whom contribute to the remarkable diversity of today's concert music.
3 1 COP4025 Introduction to Musicology Extended Major 2-2-0
3 1 TEA5016 Music Educational Theories on Subject --Major for Teacher Certifica-- 3-3-0
Foundations of Music Education History, philosophy and aesthetics of music education in the public schools, with emphasis on the secondary school music curriculum, current pedagogical theories, and aesthetics theories.
3 2 CMU3002 Major 6 Compulsory Major 3-0-1
3 2 CMU3004 Solfeggio 2 Compulsory Major 1-1-1
3 2 CMU3022 Performance 6 Compulsory Major 0-0-1
3 2 CMU3034 History of Western Music 6 Compulsory Major 1-1-1
3 2 CMU3044 Minor 2 Elective Major 1-0-1
3 2 COP3006 Orchestration 2 Elective Major 2-2-0
3 2 COP3013 Musical Forms 2 Elective Major 2-2-0
3 2 COP3015 Music Theory 2 Elective Major 2-2-0
3 2 COP3018 20Th Century Music 2 Elective Major 2-2-0
3 2 GEN0011 Physical Education 2 Elective General Studies 1-0-2
3 2 OCH4012 Conducting 2 Elective Major 2-1-1
3 2 PNO3010 Piano 6 Compulsory Major 1-0-1
3 2 CMU3002 Major 6 Compulsory Major 3-0-1
3 2 CMU3004 Solfeggio 2 Elective Major 1-1-1
3 2 CMU3032 History of Western Music 4 Compulsory General Studies 2-3-0
3 2 CMU3044 Minor 2 Elective Major 1-0-1
3 2 COP3006 Orchestration 2 Compulsory Major 2-2-0
3 2 COP3013 Musical Forms 2 Compulsory Major 1-2-0
3 2 COP3015 Music Theory 2 Elective Major 2-2-0
3 2 COP3022 Seconddry Instrument 6 Elective Major 1-0-1
3 2 COP4016 20Th Century Music 4 Elective Major 1-2-0
3 2 GEN3076 Performance and Critique 4 Compulsory General Studies 2-0-2
3 2 KTM1020 Korean Music Theory 2 Elective Major 1-1-1
3 2 PNO3010 Piano 6 Elective Major 1-0-1
3 2 CMU3032 History of Western Music 4 Compulsory General Studies 2-3-0
CMU332 History of Western Music 4 An introductory course intended for fundamental theory and aural skills including terminology, basic organizing elements in musical works, musical procedures, and structural forms. Also includes survey and appreciation of major musical types in Western music. This course, offered in the Department of Composition, is specially designed for composition major students.
3 2 CMU3044 Minor 2 Elective Major 1-0-1
CMU344 Minor2 Students who wish to choose a second major may take this course atarting from their junior year. In order to be qualified to register for this course, students should pass the screening by the faculty of the department.
3 2 COP2026 Twentieth-Century Music 2 Elective Major 2-2-0
COP226 Twentieth-Century Music 2 Studies of various compositional techniques featured in the twentieth-century based on compositional procedures. Both theoretical instruction and practical works are carried out in this course
3 2 COP2030 Form in Tonal Music 2 Elective Major 1-2-0
COP230 Form in Tonal Music 2 Extensive study of the formal structure of tonal music. For the study of the works an analytic approach is used in the viewpoint of musical form, starting from the smallest unit through the whole piece. More emphasis is given to the smaller elements, which constitute the formal structure of the work and the manipulation procedures or motivic development of the elements
3 2 COP3054 Electronic Music 2 Elective Major 2-2-0
COP354 Electronic Music 2 Introduces electro-acoustic music, including historical background, literature, techniques of notation and realization, and compositional application in the areas of musique concrete, classical electronic music, and voltage-controlled electronic music.
3 2 COP3058 Composition Major 6 Compulsory Major 3-0-1
CMU 358 Major6 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
3 2 COP4004 Orchestration 4 Elective Major 2-2-0
COP404 Orchestration 4 Orchestration for chamber and symphony orchestras; mainly orchestral works of classical, romantic, and contemporary composers are examined.
3 2 COP4012 Score Reading 2 Elective Major 1-0-2
This calss is improved reading a score.
3 2 GEN3076 Performance and Critique 4 Compulsory General Studies 1-0-2
GEN 376 Performance and Critique4 Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
3 2 KTM1020 Korean Music Theory 2 Elective Major 2-2-0
General musical characteristics of Asian music and the musical relationship between Korea and other Asian countries.
3 2 CMU3032 History of Western Music 4 Compulsory General Studies 2-3-0
CMU332 History of Western Music 4 An introductory course intended for fundamental theory and aural skills including terminology, basic organizing elements in musical works, musical procedures, and structural forms. Also includes survey and appreciation of major musical types in Western music. This course, offered in the Department of Composition, is specially designed for composition major students.
3 2 CMU3044 Minor 2 Elective Major 1-0-1
CMU344 Minor2 Students who wish to choose a second major may take this course atarting from their junior year. In order to be qualified to register for this course, students should pass the screening by the faculty of the department.
3 2 COP2028 Twentieyh-Century Music 4 Elective Major 2-2-0
COP228 Twentieth-Century Music 4 Studies of various compositional techniques featured in the twentieth-century based on compositional procedures. Both theoretical instruction and practical works are carried out in this course
3 2 COP2030 Form in Tonal Music 2 Elective Major 1-2-0
COP230 Form in Tonal Music 2 Extensive study of the formal structure of tonal music. For the study of the works an analytic approach is used in the viewpoint of musical form, starting from the smallest unit through the whole piece. More emphasis is given to the smaller elements, which constitute the formal structure of the work and the manipulation procedures or motivic development of the elements
3 2 COP3054 Electronic Music 2 Elective Major 2-2-0
COP354 Electronic Music 2 Introduces electro-acoustic music, including historical background, literature, techniques of notation and realization, and compositional application in the areas of musique concrete, classical electronic music, and voltage-controlled electronic music.
3 2 COP3058 Composition Major 6 Compulsory Major 3-0-1
CMU 358 Major6 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
3 2 COP4004 Orchestration 4 Elective Major 2-2-0
COP404 Orchestration4 Orchestration for chamber and symphony orchestras; mainly orchestral works of classical, romantic, and contemporary composers are examined.
3 2 GEN3076 Performance and Critique 4 Compulsory General Studies 1-0-2
GEN 376 Performance and Critique4 Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
3 2 KTM3034 Korean Music Literature Elective Major 2-2-0
KTM 334 Korean Music Literature General musical characteristics of Asian music and the musical relationship between Korea and other Asian countries
3 2 CMU3032 History of Western Music 4 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite is History of Western Music 3. History of Western Music 4 covers from the Late Romantic Period to the present.
3 2 COP3006 Orchestration 2 Core Major 2-2-0
This is an advanced study on orchestration techniques which will be studied through the examination of scores from the literature as well as through the creative application of compositional skills. Students explore to comparing and analyzing diverse arrangements of ensembles such as strings, woodwinds, percussions or orchestra, and various recordings of the historic performances. Prerequisite is Orchestration 1.
3 2 COP3054 Electronic Music 2 Extended Major 2-2-0
A four-semester sequence in which students develop electronic techniques in music. This course introduces electro-acoustic music, including historical background, literature, techniques of notation and realization, and compositional application in the areas of musique concrete, classical electronic music, and voltage-controlled electronic music. Historical overview of the genre and discussion of digital implementations of analog techniques and processes. Emphasis on close study of pioneering works. Prerequisite is Eletronic Music 1.
3 2 COP3058 Composition Major 6 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
3 2 COP3062 PERFORMANCE AND CRITIQUE 6 Core Major 1-0-2
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
3 2 COP3068 KOREAN TRADITIONAL INSTRUMENTS4 Extended Major 1-0-1
Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition
3 2 COP3070 INTRODUCTION TO KOREAN MUSIC2 Core Major 2-2-0
General musical characteristics of Asian music and the musical relationship between Korea and other Asian countries.General musical characteristics of Asian music and the musical relationship between Korea and other Asian countries
3 2 COP3071 FORM AND ANALYSIS2 Core Major 2-2-0
Rudimental theories and literatures of Korean traditional music, such as modes, melodic and rhythmic structures, heterophony, form, and timber for non-major students. Understanding Korean musical idea and its aesthetics are approached by comparing Korean music to Western European.
3 2 COP4016 20Th Century Music 4 Core Major 2-2-0
A study of selected compositions written in the second half of the 20th century. Individual works are analyzed in the context of important post-war developments in music. The evolution of serialism, contrasting innovations of chance and choice, the integration of non-Western elements, as well as a resurgence in tonality, act as a backdrop for study of a variety of analytical approaches. The course explores in detail works by Boulez, Stockhausen, Babbitt, Cage, and others, all of whom contribute to the remarkable diversity of today's concert music.
3 2 PNO2002 Piano 4 Extended Major 1-0-1
Required ofr students who major in Orchestral Instruments, Voice, and Conposition the basic fundamentals of piano playing, indispensable to every musician, are studied.
3 2 CMU1012 Chorus 2 Core Major 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
3 2 CMU3032 History of Western Music 4 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite is History of Western Music 3. History of Western Music 4 covers from the Late Romantic Period to the present.
3 2 COP2044 WESTERN INSTRUMENTS4 Extended Major 1-0-1
COP244 WESTERN INSTRUMENTS4 Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those.
3 2 COP2046 INTRODUCTION TO MUSICOLOGY2 Extended Major 2-2-0
Survey of the discipline, history, and approaches of musicology covering prominent recent writings over a broad spectrum of issues, bibliographic resources, and sample problems for investigation. Also special attention to class projects in systematic musicology and to the philosophy of music history.
3 2 COP3054 Electronic Music 2 Extended Major 2-2-0
A four-semester sequence in which students develop electronic techniques in music. This course introduces electro-acoustic music, including historical background, literature, techniques of notation and realization, and compositional application in the areas of musique concrete, classical electronic music, and voltage-controlled electronic music. Historical overview of the genre and discussion of digital implementations of analog techniques and processes. Emphasis on close study of pioneering works. Prerequisite is Eletronic Music 1.
3 2 COP3058 Composition Major 6 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
3 2 COP3062 PERFORMANCE AND CRITIQUE 6 Core Major 1-0-2
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
3 2 COP3068 KOREAN TRADITIONAL INSTRUMENTS4 Extended Major 1-0-1
Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition
3 2 COP3071 FORM AND ANALYSIS2 Core Major 2-2-0
Rudimental theories and literatures of Korean traditional music, such as modes, melodic and rhythmic structures, heterophony, form, and timber for non-major students. Understanding Korean musical idea and its aesthetics are approached by comparing Korean music to Western European.
3 2 COP4004 Orchestration 4 Core Major 2-2-0
The course introduces the 20th-century orchestral works with comparative analysis of pieces in different versions. Students practice diverse arrangements of 20th-century pieces and and perform and discuss on their own arrangements. Students also explore 21st-century music and its application in composition, arrangement, and analysis. Prerequisite is Orchestration 3.
3 2 COP4016 20Th Century Music 4 Core Major 2-2-0
A study of selected compositions written in the second half of the 20th century. Individual works are analyzed in the context of important post-war developments in music. The evolution of serialism, contrasting innovations of chance and choice, the integration of non-Western elements, as well as a resurgence in tonality, act as a backdrop for study of a variety of analytical approaches. The course explores in detail works by Boulez, Stockhausen, Babbitt, Cage, and others, all of whom contribute to the remarkable diversity of today's concert music.
3 2 KTM1020 Korean Music Theory 2 Core Major 2-2-0
General musical characteristics of Asian music and the musical relationship between Korea and other Asian countries.General musical characteristics of Asian music and the musical relationship between Korea and other Asian countries
3 2 KTM2049 KOREAN TRANDITIONAL MUSIC WORKSHOP2 Extended Major 2-2-0
This course is designed to compose a voice piece with instrumental accompaniment. Instructional strategies include: (1) analysis of old song forms such as Goryo gayo, Jongmyo Jaeraeak, Gagok, Sijo and minyo. (2) compose a vocal piece with instrumental accompaniment.
3 2 SYH0003 BUSINESS LEADERSHIP (Compulsory) Requirement in Fundamental Studies 2-2-0
Businesss Leadership (HELP 3) program is a course for juniors, which aims to help students 1) understand principles of capitalism and market economy and learn common sense in relation to economy and finance, 2) learn principles and nature of corporations and how to develop a critical view toward them, and 3) acquire an administrative mind through self-management.
3 2 CMU3012 Chorus 6 Core Major 1-0-4
Practical experience in mixed-voice singing of accompanied and unaccompanied music of various periods and styles, including oratorio, requiem, cantata and passion as well as specialized designed choral repertoire: a highly advanced group of competent student singers. Students participate in various musical performances such as regular concerts and performance tours.
3 2 CMU3032 History of Western Music 4 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite is History of Western Music 3. History of Western Music 4 covers from the Late Romantic Period to the present.
3 2 COP2044 WESTERN INSTRUMENTS4 Extended Major 1-0-1
COP244 WESTERN INSTRUMENTS4 Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those.
3 2 COP2045 KOREAN TRADITIONAL INSTRUMENTS2 Extended Major 1-0-1
Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition..
3 2 COP2046 INTRODUCTION TO MUSICOLOGY2 Extended Major 2-2-0
Survey of the discipline, history, and approaches of musicology covering prominent recent writings over a broad spectrum of issues, bibliographic resources, and sample problems for investigation. Also special attention to class projects in systematic musicology and to the philosophy of music history.
3 2 COP3056 Electronic Music 4 Extended Major 2-2-0
Students learn to sound synthesis technique and algorithme for sound synthesis conctrol. And students learn to midi control, external control equipment, and real-time sound process technique for apply to there own music. For the real-time sound process technique, learn to external hardware(widely use commercial effector, etc) or software based on real-time sound process technique. Prerequisite is Eletronic Music 3.
3 2 COP3058 Composition Major 6 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
3 2 COP3062 PERFORMANCE AND CRITIQUE 6 Core Major 1-0-1
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
3 2 COP3071 FORM AND ANALYSIS2 Extended Major 2-2-0
Rudimental theories and literatures of Korean traditional music, such as modes, melodic and rhythmic structures, heterophony, form, and timber for non-major students. Understanding Korean musical idea and its aesthetics are approached by comparing Korean music to Western European.
3 2 COP3074 MUSIC HISTORY AND THEORY SEMINAR 2 Core Major 2-0-1
This is an individual study in which the students pick their own subject from Western music history and theory. At the end of semester, students should submit an essay on the topic and present in the class.
3 2 COP3075 ELECTROACOUSTIC AND COMPUTER MUSIC COMPOSITION MAJOR 2 Core Major 1-0-4
Individual instruction of composition according to the students` major. How to practice and study of electronic music, especially electronic music majors practical and covers techniques than to learn the various ways of expression and personality of the students. Individually through the Major Practice to create works of their own productions, and using technology advisor and discuss and complete the induction goes
3 2 COP4004 Orchestration 4 Core Major 2-2-0
The course introduces the 20th-century orchestral works with comparative analysis of pieces in different versions. Students practice diverse arrangements of 20th-century pieces and and perform and discuss on their own arrangements. Students also explore 21st-century music and its application in composition, arrangement, and analysis. Prerequisite is Orchestration 3.
3 2 COP4016 20Th Century Music 4 Extended Major 2-2-0
A study of selected compositions written in the second half of the 20th century. Individual works are analyzed in the context of important post-war developments in music. The evolution of serialism, contrasting innovations of chance and choice, the integration of non-Western elements, as well as a resurgence in tonality, act as a backdrop for study of a variety of analytical approaches. The course explores in detail works by Boulez, Stockhausen, Babbitt, Cage, and others, all of whom contribute to the remarkable diversity of today's concert music.
3 2 GEN5100 Career Development II (Portfolio and Business model Creation) (Compulsory) Requirement in Fundamental Studies 1-1-0
His career as a wide range of knowledge and lessons learned in the previous semester plan to explore in depth the process. Employment working in the industry of major interest to seniors invited to hear the information about the industry to prepare for what you need to learn knowhow. In addition, students who already have a job that aim to visit seniors plan their careers and the skills necessary to equip determined to develop a career that any plan.
3 2 SYH0003 ENTREPRENEURSHIP AND BUSINESS LEADERSHIP (Compulsory) Requirement in Fundamental Studies 2-2-0
Businesss Leadership (HELP 3) program is a course for juniors, which aims to help students 1) understand principles of capitalism and market economy and learn common sense in relation to economy and finance, 2) learn principles and nature of corporations and how to develop a critical view toward them, and 3) acquire an administrative mind through self-management.
3 2 TEA3036 MUSIC LOGIC AND ESSAY WRITING --Major for Teacher Certifica-- 2-2-0
Students will learn about the structure of and errors in argumentation and practice writing persuasive, argumentative essays. They will read argumentative essays or editorials written, and analyze and discuss the flow and structure of their arguments in order to further train their critical thinking skills. Gathering data on current social issues or academic topics and writing to argue for their own positions, they will also enhance their skills for argumentative writing and develop capabilities to teach them as teachers-to-be.
3 2 CMU3032 History of Western Music 4 Core Major 2-2-0
An exploration of musical idea and works of representative composers within selected era. The course will also survey style analysis and its evolution of master pieces, and relationship of music to sociocultural background of each epoch. Prerequisite is History of Western Music 3. History of Western Music 4 covers from the Late Romantic Period to the present.
3 2 COP3054 Electronic Music 2 Extended Major 2-2-0
A four-semester sequence in which students develop electronic techniques in music. This course introduces electro-acoustic music, including historical background, literature, techniques of notation and realization, and compositional application in the areas of musique concrete, classical electronic music, and voltage-controlled electronic music. Historical overview of the genre and discussion of digital implementations of analog techniques and processes. Emphasis on close study of pioneering works. Prerequisite is Eletronic Music 1.
3 2 COP3058 Composition Major 6 Core Major 1-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
3 2 COP3062 PERFORMANCE AND CRITIQUE 6 Core Major 1-0-1
Students participate in weekly students' recitals as performers as well as critical listeners. Their performances are criticized by the students / faculity audience. Students majoring in composition are required to present their original works, which are also criticized by the audience.
3 2 COP3080 Western & Korean Traditional Instruments 4 Extended Major 1-0-1
Secondary Instruments 1, 2, 3, 4 open for composition majors. Any instrument except piano may be chosen by the students: intends to enhance understanding of string and wind instruments by learning how to play those. Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition.
3 2 COP4016 20Th Century Music 4 Extended Major 2-2-0
A study of selected compositions written in the second half of the 20th century. Individual works are analyzed in the context of important post-war developments in music. The evolution of serialism, contrasting innovations of chance and choice, the integration of non-Western elements, as well as a resurgence in tonality, act as a backdrop for study of a variety of analytical approaches. The course explores in detail works by Boulez, Stockhausen, Babbitt, Cage, and others, all of whom contribute to the remarkable diversity of today's concert music.
3 2 GEN5100 Career Development II (Portfolio and Business model Creation) Compulsory General Studies 1-1-0
His career as a wide range of knowledge and lessons learned in the previous semester plan to explore in depth the process. Employment working in the industry of major interest to seniors invited to hear the information about the industry to prepare for what you need to learn knowhow. In addition, students who already have a job that aim to visit seniors plan their careers and the skills necessary to equip determined to develop a career that any plan.
3 2 SYH0003 ENTREPRENEURSHIP AND BUSINESS LEADERSHIP Compulsory General Studies 2-2-0
Businesss Leadership (HELP 3) program is a course for juniors, which aims to help students 1) understand principles of capitalism and market economy and learn common sense in relation to economy and finance, 2) learn principles and nature of corporations and how to develop a critical view toward them, and 3) acquire an administrative mind through self-management.
3 2 TEA3036 MUSIC LOGIC AND ESSAY WRITING --Major for Teacher Certifica-- 2-2-0
Students will learn about the structure of and errors in argumentation and practice writing persuasive, argumentative essays. They will read argumentative essays or editorials written, and analyze and discuss the flow and structure of their arguments in order to further train their critical thinking skills. Gathering data on current social issues or academic topics and writing to argue for their own positions, they will also enhance their skills for argumentative writing and develop capabilities to teach them as teachers-to-be.
4 1 CMU4001 Major 7 Compulsory Major 3-0-1
4 1 CMU4013 Minor 3 Elective Major 1-0-1
4 1 COP3007 Music Analysis 1 Compulsory Major 2-2-0
4 1 COP4003 Orchestration 3 Elective Major 2-2-0
4 1 COP4007 Music Theory 3 Elective Major 2-2-0
4 1 COP4009 Seminar in Western Music History 1 Elective Major 2-2-0
4 1 COP4011 Score Reading 1 Elective Major 2-2-0
4 1 COP4013 Topics on Musicology 1 Elective Major 2-2-0
4 1 COP4015 20Th Century Music 3 Elective Major 2-2-0
4 1 PNO4014 Piano Practice 7 Compulsory Major 1-0-1
4 1 CMU4001 Major 7 Compulsory Major 3-0-1
4 1 CMU4013 Minor 3 Elective Major 1-0-1
4 1 COP4003 Orchestration 3 Compulsory Major 2-2-0
4 1 COP4007 Music Theory 3 Elective Major 2-2-0
4 1 COP4009 Seminar in Western Music History 1 Elective Major 2-2-0
4 1 COP4017 Analysis of Tonal Music 1 Compulsory Major 2-2-0
4 1 COP4019 Analysis of 20Th Century Music 1 Compulsory Major 2-2-0
4 1 COP4029 Composition Major 7 Compulsory Major 3-0-1
4 1 OCH4011 Conducting 1 Elective Major 2-1-1
4 1 CMU4013 Minor 3 Elective Major 1-0-1
CMU413 Minor 3 Students who wish to choose a second major may take this course atarting from their junior year. In order to be qualified to register for this course, students should pass the screening by the faculty of the department.
4 1 COP2027 Twentieyh-Century Music 3 Elective Major 2-2-0
COP227 Twentieth-Century Music 3 Studies of various compositional techniques featured in the twentieth-century based on compositional procedures. Both theoretical instruction and practical works are carried out in this course
4 1 COP2031 Seminar in Music Theory 1 Elective Major 2-2-0
COP231Seminar in Music Theory 1 Studies in specialized areas of analysis, theory systems, and aesthetics for composition-theory majors. Among the topics discussed are theories of tonal harmony, counterpoint, musical form, and their historical changes. Topics may vary according to the instructor
4 1 COP3055 Electronic Music 3 Elective Major 2-2-0
COP355 Electronic Music 3 Advanced study in the use of voltage-controlled synthesizers in music composition and study of compositional, technical, and performance considerations in combining electronics with traditional instruments and/or voices in music composition.
4 1 COP4009 Seminar in Western Music History 1 Elective Major 2-2-0
COP409 Seminar in Western Music History 1 Designed for theory and composition majors who have successfully taken the courses of the History of Western Music 1-4 (CMU231, 232, 331, 332). Concentrated study of one or more selected topics of music history.
4 1 COP4017 Analysis of Tonal Music 1 Elective Major 2-2-0
COP417 Analysis of Tonal Music 1 Extensive examination of tonal works in various aspects: motivic manipulation, harmonic structure, rhythmic structure, relationship among units of the work, etc. Considerable knowledge of music theory is required.
4 1 COP4027 Score Reading 3 Elective Major 1-0-2
This calss is improved reading a score.
4 1 COP4029 Composition Major 7 Compulsory Major 3-0-1
CMU429 Major7 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
4 1 KTM1007 Composition Workshop for Korean Music 1 Elective Major 1-0-2
4 1 KTM2023 Korean Music Theory 3 Elective Major 2-2-0
General musical characteristics of Asian music and the musical relationship between Korea and other Asian countries.
4 1 CMU4013 Minor 3 Elective Major 1-0-1
CMU413 Minor 3 Students who wish to choose a second major may take this course atarting from their junior year. In order to be qualified to register for this course, students should pass the screening by the faculty of the department.
4 1 COP2031 Seminar in Music Theory 1 Elective Major 2-2-0
COP231Seminar in Music Theory 1 Studies in specialized areas of analysis, theory systems, and aesthetics for composition-theory majors. Among the topics discussed are theories of tonal harmony, counterpoint, musical form, and their historical changes. Topics may vary according to the instructor
4 1 COP3055 Electronic Music 3 Elective Major 2-2-0
COP355 Electronic Music 3 Advanced study in the use of voltage-controlled synthesizers in music composition and study of compositional, technical, and performance considerations in combining electronics with traditional instruments and/or voices in music composition.
4 1 COP4009 Seminar in Western Music History 1 Elective Major 2-2-0
COP409 Seminar in Western Music History 1 Designed for theory and composition majors who have successfully taken the courses of the History of Western Music 1-4 (CMU231, 232, 331, 332). Concentrated study of one or more selected topics of music history.
4 1 COP4017 Analysis of Tonal Music 1 Elective Major 2-2-0
COP417 Analysis of Tonal Music 1 Extensive examination of tonal works in various aspects: motivic manipulation, harmonic structure, rhythmic structure, relationship among units of the work, etc. Considerable knowledge of music theory is required.
4 1 COP4029 Composition Major 7 Compulsory Major 3-0-1
CMU429 Major7 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
4 1 COP4031 Composition Workshop 1 Elective Major 2-2-0
This workshop provides opportunities to apply all the 20thcentury musical styles and techniques that students learned throughout the coursework in their compositions. Students will follow various steps for composition such as choosing a subject and developing it, using contrast and creating tension, and finally leading to a conclusion. Students are asked to select a modern composer and to analyze his/her compositions, and then to apply them in their own works. At the end of semester, students are asked to present their works to fellow classmates and to provide comments to each other.
4 1 KTM1028 Instrumentation of Korean Traditional Music Elective Major 2-2-0
KTM 128 Essays on Korean Musical Instruments This subject including classification of Korean traditional musical instruments, structure ranges and registers timbre playing techniques instrumentations.
4 1 COP3055 Electronic Music 3 Extended Major 2-2-0
Students learn to program compositional algorithms for the synthesis and production of many different styles of music. Algorithmic procedures can be used for the real time control of both digital sound and image. Students can explore concrete music with simple recording techniques. Prerequisite is Eletronic Music2.
4 1 COP4003 Orchestration 3 Core Major 2-2-0
Students explore some special techniques and sound that has been developing since 20th century with scores, recording materials, and musical literatures. Students learn special instrumentation, techniques, and sound effects, exploring new techniques of instruments and the application of the contemporary music. Prerequisite is Orchestration 2.
4 1 COP4009 Seminar in Western Music History 1 Extended Major 2-2-0
Designed for theory and composition majors who have successfully taken the courses of the History of Western Music 1-4 (CMU231, 232, 331, 332). Concentrated study of one or more selected topics of music history.
4 1 COP4029 Composition Major 7 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
4 1 COP4031 Composition Workshop 1 Extended Major 2-2-0
This workshop provides opportunities to apply all the 20thcentury musical styles and techniques that students learned throughout the coursework in their compositions. Students will follow various steps for composition such as choosing a subject and developing it, using contrast and creating tension, and finally leading to a conclusion. Students are asked to select a modern composer and to analyze his/her compositions, and then to apply them in their own works. At the end of semester, students are asked to present their works to fellow classmates and to provide comments to each other.
4 1 COP4037 Practical Music 1 Extended Major 2-2-0
Students learn to practical msucic based on their own composition(software based sequencers, synthesizers, samplers, editors, mixers, VST etc) and learn to composition method or production method for practical music(music production). Having completed the course students are able to create compositions for music productions(media art, video, film, broadcast, radio or create new category etc). Prerequisite is Music Theory and Harmony or Orchestration.
4 1 TEA4016 Music Research and Guidance in Subject Matters Compulsory for Teacher Certification 2-2-0
Teaching Music in the Secondary School Objectives of the secondary school music, teaching strategies, lesson plans, evaluation, materials for music program, and simulated class teaching are covered.
4 1 COP2031 Seminar in Music Theory 1 Extended Major 2-2-0
Students studies pitch-class set theory as a analytical method of atonal misic.
4 1 COP3055 Electronic Music 3 Extended Major 2-2-0
Students learn to program compositional algorithms for the synthesis and production of many different styles of music. Algorithmic procedures can be used for the real time control of both digital sound and image. Students can explore concrete music with simple recording techniques. Prerequisite is Eletronic Music2.
4 1 COP4009 Seminar in Western Music History 1 Extended Major 2-2-0
Designed for theory and composition majors who have successfully taken the courses of the History of Western Music 1-4 (CMU231, 232, 331, 332). Concentrated study of one or more selected topics of music history.
4 1 COP4029 Composition Major 7 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
4 1 COP4031 Composition Workshop 1 Extended Major 2-2-0
This workshop provides opportunities to apply all the 20thcentury musical styles and techniques that students learned throughout the coursework in their compositions. Students will follow various steps for composition such as choosing a subject and developing it, using contrast and creating tension, and finally leading to a conclusion. Students are asked to select a modern composer and to analyze his/her compositions, and then to apply them in their own works. At the end of semester, students are asked to present their works to fellow classmates and to provide comments to each other.
4 1 COP4041 PRACTICAL MUSIC Extended Major 2-2-0
Students learn to practical msucic based on their own composition(software based sequencers, synthesizers, samplers, editors, mixers, VST etc) and learn to composition method or production method for practical music(music production). Having completed the course students are able to create compositions for music productions(media art, video, film, broadcast, radio or create new category etc). Prerequisite is Music Theory and Harmony or Orchestration.
4 1 COP4043 Practice of Music Education in the Secondary School1 Extended Major 2-2-0
This course focuses on Advanced teaching skills and methods of Music Education in the Secondary School . Objectives of the secondary school music, teaching strategies, lesson plans, evaluation, materials for music program, and simulated class teaching are covered in the class.
4 1 COP4045 Post Production1 Extended Major 2-2-0
This course concentrates on audio post-production techniques for film and vidual media. This includes soundtrack editing, mixing and audio effects. We will cover the basics such as microphones, recording and mixing.
4 1 COP4048 MUSIC MANAGEMENT Extended Major 2-2-0
In this course, students can obtain deeper knowledge and information on music management and administration which are required by various culture and art organizations. This course supplys to students not simply delivering knowledge and information but for providing a forum for discussion of issues pertaining to various cultural trends.
4 1 KTM3065 KOREAN TRADITIONAL MUSIC WORKSHOP3 Extended Major 2-2-0
This course is designed to compose a voice piece with instrumental accompaniment. Instructional strategies include: (1) analysis of old song forms such as Goryo gayo, Jongmyo Jaeraeak, Gagok, Sijo and minyo. (2) compose a vocal piece with instrumental accompaniment.
4 1 SYH0004 SELF-LEADERSHIP (Compulsory) Requirement in Fundamental Studies 2-2-0
HELP(Hanyang Essential Leadership Plus) is a key program of Hanyang University for educating students who want to be future CEOs. Self Leadership(HELP4) is a leadership development online program for seniors. This program aims to foster leaders based on an analysis of an individual's strengths and weaknesses and complete the Leadership Road Map. Learning contents of Self Leardership(HELP4) incluse Self-Assessment, Self-Management and Skills to apply in Social Practices. Learning objectives of each module are as follows; Self-Assessment: Grade value of the work to do and decide priority, understand importance and meaning of manners and improve manners in social life, and understand attitudes associated with success and put them into practice. Skills to Apply in Social Practice: Define followership, understand the principles of imagination and creativity. This 16 week length course had been developed by the high-tech teaching system and online course development methods.
4 1 TEA4016 Music Research and Guidance in Subject Matters Compulsory for Teacher Certification 2-2-0
Teaching Music in the Secondary School Objectives of the secondary school music, teaching strategies, lesson plans, evaluation, materials for music program, and simulated class teaching are covered.
4 1 TEA6016 Music Research and Guidance in Subject Matters --Major for Teacher Certifica-- 3-3-0
Teaching Music in the Secondary School Objectives of the secondary school music, teaching strategies, lesson plans, evaluation, materials for music program, and simulated class teaching are covered.
4 1 VOC4048 PERFORMING OF ART MANAGEMENT1 Extended Major 2-2-0
Classes 1, 2 consecutive semesters of this course, the performance planning process, planning, media utilization, communication, marketing and audience development, corporate culture, marketing, consulting, and learning theory through a variety of research activities and businesses, cultural organizations, theaters,institutions, cultural field trips and performances produced by direct experience and practice, students will learn the process of performance planning.
4 1 COP2031 Seminar in Music Theory 1 Extended Major 2-2-0
Students studies pitch-class set theory as a analytical method of atonal misic.
4 1 COP3066 KOREAN TRADITIONAL INSTRUMENTS3 Extended Major 1-0-1
Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition.
4 1 COP4009 Seminar in Western Music History 1 Extended Major 2-2-0
Designed for theory and composition majors who have successfully taken the courses of the History of Western Music 1-4 (CMU231, 232, 331, 332). Concentrated study of one or more selected topics of music history.
4 1 COP4029 Composition Major 7 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
4 1 COP4031 Composition Workshop 1 Extended Major 2-2-0
This workshop provides opportunities to apply all the 20thcentury musical styles and techniques that students learned throughout the coursework in their compositions. Students will follow various steps for composition such as choosing a subject and developing it, using contrast and creating tension, and finally leading to a conclusion. Students are asked to select a modern composer and to analyze his/her compositions, and then to apply them in their own works. At the end of semester, students are asked to present their works to fellow classmates and to provide comments to each other.
4 1 COP4043 Practice of Music Education in the Secondary School1 Extended Major 2-2-0
This course focuses on Advanced teaching skills and methods of Music Education in the Secondary School . Objectives of the secondary school music, teaching strategies, lesson plans, evaluation, materials for music program, and simulated class teaching are covered in the class.
4 1 COP4045 Post Production1 Extended Major 2-2-0
This course concentrates on audio post-production techniques for film and vidual media. This includes soundtrack editing, mixing and audio effects. We will cover the basics such as microphones, recording and mixing.
4 1 COP4049 MATERIALS AND TECHNIQUES OF THE KOREAN TRADITIONAL MUSIC 1 Extended Major 2-2-0
This course introduces the materials and techniques which had used in traditional Korean music. Students are encouraged to apply those techniques in their own music.
4 1 COP4050 MEDIA MUSIC PRACTICE Extended Major 2-2-0
Application to the latest music or musical composition, creative activity in the computer and electronic devices, such as media or technology media, music practice several methods that you can utilize your own creations or creative arts creative and professional in the form of the experimental approach and the depth ofmajor classes of applications in electronic music.
4 1 COP4052 MUSIC HISTORY AND THEORY SEMINAR 3 Core Major 2-0-1
This is an individual study in which the students pick their own subject from Western music history and theory. At the end of semester, students should submit an essay on the topic and present in the class.
4 1 COP4056 Drama and music workshops Extended Major 2-2-0
4 1 PRE2017 HEALTH MANAGEMENT Extended Major 2-2-0
His career as a wide range of knowledge and lessons learned in the previous semester plan to explore in depth the process. Employment working in the industry of major interest to seniors invited to hear the information about the industry to prepare for what you need to learn knowhow. In addition, students who already have a job that aim to visit seniors plan their careers and the skills necessary to equip determined to develop a career that any plan.
4 1 SYH0004 SELF-LEADERSHIP (Compulsory) Requirement in Fundamental Studies 2-2-0
SELP Leadership(HELP4) program will give students chances to look back on themselves before they enter society and to analyze their advantages and weak points to complete the road map for leadership development. This class trains prepared leaders based on analysis of personal strengths and weaknesses and helps them to complete the Leadership Road Map.
4 1 TEA6016 Music Research and Guidance in Subject Matters --Major for Teacher Certifica-- 3-3-0
Teaching Music in the Secondary School Objectives of the secondary school music, teaching strategies, lesson plans, evaluation, materials for music program, and simulated class teaching are covered.
4 1 VOC4052 ARTS MANAGEMENT AND MARKETING 2 Extended Major 2-2-0
This class is music and business process by learning, art, music, performance and of understanding, through established after graduation, be prepared as a marketing knowledge and attitude,As a musician, music and preparedness, also associated with music business to try pursuing a career related to music, by learning lesson
4 1 COP4029 Composition Major 7 Core Major 1-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
4 1 COP4031 Composition Workshop 1 Extended Major 2-2-0
This workshop provides opportunities to apply all the 20thcentury musical styles and techniques that students learned throughout the coursework in their compositions. Students will follow various steps for composition such as choosing a subject and developing it, using contrast and creating tension, and finally leading to a conclusion. Students are asked to select a modern composer and to analyze his/her compositions, and then to apply them in their own works. At the end of semester, students are asked to present their works to fellow classmates and to provide comments to each other.
4 1 COP4045 Post Production1 Extended Major 1-1-0
This course concentrates on audio post-production techniques for film and vidual media. This includes soundtrack editing, mixing and audio effects. We will cover the basics such as microphones, recording and mixing.
4 1 COP4049 MATERIALS AND TECHNIQUES OF THE KOREAN TRADITIONAL MUSIC 1 Extended Major 2-2-0
This course introduces the materials and techniques which had used in traditional Korean music. Students are encouraged to apply those techniques in their own music.
4 1 COP4056 Drama and music workshops Extended Major 2-2-0
4 1 COP4057 MEDIA MUSIC PRACTICE 1 Extended Major 2-2-0
Application to the latest music or musical composition, creative activity in the computer and electronic devices, such as media or technology media, music practice several methods that you can utilize your own creations or creative arts creative and professional in the form of the experimental approach and the depth of major classes of applications in electronic music.
4 1 SYH0004 SELF-LEADERSHIP Compulsory General Studies 2-2-0
HELP(Hanyang Essential Leadership Plus) is a key program of Hanyang University for educating students who want to be future CEOs. Self Leadership(HELP4) is a leadership development online program for seniors. This program aims to foster leaders based on an analysis of an individual's strengths and weaknesses and complete the Leadership Road Map. Learning contents of Self Leardership(HELP4) incluse Self-Assessment, Self-Management and Skills to apply in Social Practices. Learning objectives of each module are as follows; Self-Assessment: Grade value of the work to do and decide priority, understand importance and meaning of manners and improve manners in social life, and understand attitudes associated with success and put them into practice. Skills to Apply in Social Practice: Define followership, understand the principles of imagination and creativity. This 16 week length course had been developed by the high-tech teaching system and online course development methods.
4 1 TEA6016 Music Research and Guidance in Subject Matters --Major for Teacher Certifica-- 3-3-0
Teaching Music in the Secondary School Objectives of the secondary school music, teaching strategies, lesson plans, evaluation, materials for music program, and simulated class teaching are covered.
4 2 CMU4002 Major 8 Compulsory Major 3-0-1
4 2 CMU4014 Minor 4 Elective Major 1-0-1
4 2 COP3008 Music Analysis 2 Compulsory Major 2-2-0
4 2 COP4004 Orchestration 4 Elective Major 2-2-0
4 2 COP4008 Music Theory 4 Elective Major 2-2-0
4 2 COP4010 Seminar in Western Music History 2 Elective Major 2-2-0
4 2 COP4012 Score Reading 2 Elective Major 2-2-0
4 2 COP4014 Topics on Musicology 2 Elective Major 2-2-0
4 2 COP4016 20Th Century Music 4 Elective Major 2-2-0
4 2 PNO4015 Piano Practice 8 Compulsory Major 1-0-1
4 2 CMU4002 Major 8 Compulsory Major 3-0-1
4 2 CMU4014 Minor 4 Elective Major 1-0-1
4 2 COP4004 Orchestration 4 Compulsory Major 2-2-0
4 2 COP4008 Music Theory 4 Elective Major 2-2-0
4 2 COP4010 Seminar in Western Music History 2 Elective Major 2-2-0
4 2 COP4018 Analysis of Tonal Music 2 Compulsory Major 2-2-0
4 2 COP4020 Analysis of 20Th Century Music 2 Compulsory Major 2-2-0
4 2 COP4030 Composition Major 8 Compulsory Major 3-0-1
4 2 OCH4012 Conducting 2 Elective Major 2-1-1
4 2 CMU4014 Minor 4 Elective Major 1-0-1
CMU414 Minor 4 Students who wish to choose a second major may take this course atarting from their junior year. In order to be qualified to register for this course, students should pass the screening by the faculty of the department.
4 2 COP2028 Twentieyh-Century Music 4 Elective Major 2-2-0
COP228 Twentieth-Century Music 4 Studies of various compositional techniques featured in the twentieth-century based on compositional procedures. Both theoretical instruction and practical works are carried out in this course
4 2 COP2032 Seminar in Music Theory 2 Elective Major 2-2-0
COP232 Seminar in Music Theory 2 Studies in specialized areas of analysis, theory systems, and aesthetics for composition-theory majors. Among the topics discussed are theories of tonal harmony, counterpoint, musical form, and their historical changes. Topics may vary according to the instructorv
4 2 COP3056 Electronic Music 4 Elective Major 2-2-0
COP356 Electronic Music 4 Advanced study in the use of voltage-controlled synthesizers in music composition and study of compositional, technical, and performance considerations in combining electronics with traditional instruments and/or voices in music composition.
4 2 COP4010 Seminar in Western Music History 2 Elective Major 2-2-0
COP 410 Seminar in Western Music History 2 Designed for theory and composition majors who have successfully taken the courses of the History of Western Music 1-4 (CMU231, 232, 331, 332). Concentrated study of one or more selected topics of music history.
4 2 COP4018 Analysis of Tonal Music 2 Elective Major 2-2-0
COP 418 Analysis of Tonal Music 2 Extensive examination of tonal works in various aspects: motivic manipulation, harmonic structure, rhythmic structure, relationship among units of the work, etc. Considerable knowledge of music theory is required.
4 2 COP4028 Score Reading 4 Elective Major 1-0-2
This calss is improved reading a score.
4 2 COP4030 Composition Major 8 Compulsory Major 3-0-1
CMU 430 Major8 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
4 2 KTM1008 Composition Workshop for Korean Music 2 Elective Major 1-0-2
4 2 KTM2024 Korean Music Theory 4 Elective Major 2-2-0
General musical characteristics of Asian music and the musical relationship between Korea and other Asian countries.
4 2 CMU4014 Minor 4 Elective Major 1-0-1
CMU414 Minor 4 Students who wish to choose a second major may take this course atarting from their junior year. In order to be qualified to register for this course, students should pass the screening by the faculty of the department.
4 2 COP2032 Seminar in Music Theory 2 Elective Major 2-2-0
COP232 Seminar in Music Theory 2 Studies in specialized areas of analysis, theory systems, and aesthetics for composition-theory majors. Among the topics discussed are theories of tonal harmony, counterpoint, musical form, and their historical changes. Topics may vary according to the instructorv
4 2 COP3056 Electronic Music 4 Elective Major 2-2-0
COP356 Electronic Music 4 Advanced study in the use of voltage-controlled synthesizers in music composition and study of compositional, technical, and performance considerations in combining electronics with traditional instruments and/or voices in music composition.
4 2 COP4010 Seminar in Western Music History 2 Elective Major 2-2-0
COP 410 Seminar in Western Music History 2 Designed for theory and composition majors who have successfully taken the courses of the History of Western Music 1-4 (CMU231, 232, 331, 332). Concentrated study of one or more selected topics of music history.
4 2 COP4018 Analysis of Tonal Music 2 Elective Major 2-2-0
COP 418 Analysis of Tonal Music 2 Extensive examination of tonal works in various aspects: motivic manipulation, harmonic structure, rhythmic structure, relationship among units of the work, etc. Considerable knowledge of music theory is required.
4 2 COP4021 Music for Practical Use Elective Major 2-1-1
COP 421 Music for Practical Use Studies of high technology and their practical application for the rapidly changing circumstances. Participants are given lectures of the various information on the new media as well as practices of their techniques.
4 2 COP4030 Composition Major 8 Compulsory Major 3-0-1
CMU 430 Major8 Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
4 2 COP4032 Composition Workshop 2 Elective Major 2-2-0
This workshop provides opportunities to apply all the 20thcentury musical styles and techniques that students learned throughout the coursework in their compositions. Students will follow various steps for composition such as choosing a subject and developing it, using contrast and creating tension, and finally leading to a conclusion. Students are asked to select a modern composer and to analyze his/her compositions, and then to apply them in their own works. At the end of semester, students are asked to present their works to fellow classmates and to provide comments to each other.
4 2 KTM1027 History of Korean Music Elective Major 2-2-0
KTM 127 History of Korean Music This subject including diachornical transmission of Korean traditional music through the Bibiograohies, Iconographies etc.
4 2 COP3056 Electronic Music 4 Extended Major 2-2-0
Students learn to sound synthesis technique and algorithme for sound synthesis conctrol. And students learn to midi control, external control equipment, and real-time sound process technique for apply to there own music. For the real-time sound process technique, learn to external hardware(widely use commercial effector, etc) or software based on real-time sound process technique. Prerequisite is Eletronic Music 3.
4 2 COP4004 Orchestration 4 Core Major 2-2-0
The course introduces the 20th-century orchestral works with comparative analysis of pieces in different versions. Students practice diverse arrangements of 20th-century pieces and and perform and discuss on their own arrangements. Students also explore 21st-century music and its application in composition, arrangement, and analysis. Prerequisite is Orchestration 3.
4 2 COP4010 Seminar in Western Music History 2 Extended Major 2-2-0
Designed for theory and composition majors who have successfully taken the courses of the History of Western Music 1-4 (CMU231, 232, 331, 332). Concentrated study of one or more selected topics of music history.
4 2 COP4030 Composition Major 8 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
4 2 COP4032 Composition Workshop 2 Extended Major 2-2-0
This workshop provides opportunities to apply all the 20thcentury musical styles and techniques that students learned throughout the coursework in their compositions. Students will follow various steps for composition such as choosing a subject and developing it, using contrast and creating tension, and finally leading to a conclusion. Students are asked to select a modern composer and to analyze his/her compositions, and then to apply them in their own works. At the end of semester, students are asked to present their works to fellow classmates and to provide comments to each other.
4 2 COP4044 Practice of Music Education in the Secondary School Extended Major 2-2-0
This course focuses on Advanced teaching skills and methods of Music Education in the Secondary School . Objectives of the secondary school music, teaching strategies, lesson plans, evaluation, materials for music program, and simulated class teaching are covered in the class.
4 2 COP2032 Seminar in Music Theory 2 Extended Major 2-2-0
Students studies pitch-class set theory as a analytical method of atonal misic.
4 2 COP3056 Electronic Music 4 Extended Major 2-2-0
Students learn to sound synthesis technique and algorithme for sound synthesis conctrol. And students learn to midi control, external control equipment, and real-time sound process technique for apply to there own music. For the real-time sound process technique, learn to external hardware(widely use commercial effector, etc) or software based on real-time sound process technique. Prerequisite is Eletronic Music 3.
4 2 COP4010 Seminar in Western Music History 2 Extended Major 2-2-0
Designed for theory and composition majors who have successfully taken the courses of the History of Western Music 1-4 (CMU231, 232, 331, 332). Concentrated study of one or more selected topics of music history.
4 2 COP4030 Composition Major 8 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
4 2 COP4032 Composition Workshop 2 Extended Major 2-2-0
This workshop provides opportunities to apply all the 20thcentury musical styles and techniques that students learned throughout the coursework in their compositions. Students will follow various steps for composition such as choosing a subject and developing it, using contrast and creating tension, and finally leading to a conclusion. Students are asked to select a modern composer and to analyze his/her compositions, and then to apply them in their own works. At the end of semester, students are asked to present their works to fellow classmates and to provide comments to each other.
4 2 COP4042 JAZZ IMPROVISATION Extended Major 2-2-0
This course focuses on the theory, history and development of Jazz from its beginnings through current jazz practice. We will look at historical examples and recordings, as well as concentrate on the theory of Jazz harmony, rhythm and form.
4 2 COP4044 Practice of Music Education in the Secondary School Extended Major 2-2-0
This course focuses on Advanced teaching skills and methods of Music Education in the Secondary School . Objectives of the secondary school music, teaching strategies, lesson plans, evaluation, materials for music program, and simulated class teaching are covered in the class.
4 2 COP4046 Post Production2 Extended Major 2-2-0
This course concentrates on audio post-production techniques for film and vidual media. This includes soundtrack editing, mixing and audio effects. We will cover the basics such as microphones, recording and mixing.
4 2 COP4047 WORLD MUSIC Extended Major 2-2-0
World music in its classic definition is a general categorical term for global music, such as the traditional music or folk music of a culture that is created and played by indigenous musicians and is closely related to the music of the regions of their origin. In this course, students learn the history and the instruction of the world music by more ethnical approach.
4 2 KTM3066 KOREAN TRADITIONAL MUSIC WORKSHOP4 Extended Major 2-2-0
This course is designed to compose a voice piece with instrumental accompaniment. Instructional strategies include: (1) analysis of old song forms such as Goryo gayo, Jongmyo Jaeraeak, Gagok, Sijo and minyo. (2) compose a vocal piece with instrumental accompaniment.
4 2 VOC4049 PERFORMING OF ART MANAGEMENT2 Extended Major 2-2-0
Classes 1, 2 consecutive semesters of this course, the performance planning process, planning, media utilization, communication, marketing and audience development, corporate culture, marketing, consulting, and learning theory through a variety of research activities and businesses, cultural organizations, theaters,institutions, cultural field trips and performances produced by direct experience and practice, students will learn the process of performance planning.
4 2 COP2032 Seminar in Music Theory 2 Extended Major 2-2-0
Students studies pitch-class set theory as a analytical method of atonal misic.
4 2 COP3068 KOREAN TRADITIONAL INSTRUMENTS4 Extended Major 1-0-1
Study of playing various Korean traditional instruments for composition.Study of playing various Korean traditional instruments for composition Study of playing various Korean traditional instruments for composition
4 2 COP4010 Seminar in Western Music History 2 Extended Major 2-2-0
Designed for theory and composition majors who have successfully taken the courses of the History of Western Music 1-4 (CMU231, 232, 331, 332). Concentrated study of one or more selected topics of music history.
4 2 COP4030 Composition Major 8 Core Major 2-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
4 2 COP4032 Composition Workshop 2 Extended Major 2-2-0
This workshop provides opportunities to apply all the 20thcentury musical styles and techniques that students learned throughout the coursework in their compositions. Students will follow various steps for composition such as choosing a subject and developing it, using contrast and creating tension, and finally leading to a conclusion. Students are asked to select a modern composer and to analyze his/her compositions, and then to apply them in their own works. At the end of semester, students are asked to present their works to fellow classmates and to provide comments to each other.
4 2 COP4044 Practice of Music Education in the Secondary School Extended Major 2-2-0
This course focuses on Advanced teaching skills and methods of Music Education in the Secondary School . Objectives of the secondary school music, teaching strategies, lesson plans, evaluation, materials for music program, and simulated class teaching are covered in the class.
4 2 COP4046 Post Production2 Extended Major 2-2-0
This course concentrates on audio post-production techniques for film and vidual media. This includes soundtrack editing, mixing and audio effects. We will cover the basics such as microphones, recording and mixing.
4 2 COP4053 MUSIC HISTORY AND THEORY SEMINAR 4 Core Major 2-0-1
This is an individual study in which the students pick their own subject from Western music history and theory. At the end of semester, students should submit an essay on the topic and present in the class.
4 2 COP4055 MATERIALS AND TECHNIQUES OF THE KOREAN TRADITIONAL MUSIC 2 Extended Major 2-2-0
This course introduces the materials and techniques which had used in traditional Korean music. Students are encouraged to apply those techniques in their own music.
4 2 VOC4055 ARTS MANAGEMENT AND MARKETING 2 Extended Major 2-2-0
This class is music and business process by learning, art, music, performance and of understanding, through established after graduation, be prepared as a marketing knowledge and attitude,As a musician, music and preparedness, also associated with music business to try pursuing a career related to music, by learning lesson
4 2 COP4030 Composition Major 8 Core Major 1-0-1
Individual instruction of composition according to the students' major:One hour per week. Students majoring in instruments and voice wtudy repertories outlined by their departments for each semester. A performance examination is given at the end each semester bt the faculity in order to get consent to register in the sub sequent. semester Students major in composition work in original composition, including small and large forms in various ensemble formats, they submit scores of their original work(s) to the composition faculity twice each semester in order to get consent to register in the subsequent semester.
4 2 COP4032 Composition Workshop 2 Extended Major 2-2-0
This workshop provides opportunities to apply all the 20thcentury musical styles and techniques that students learned throughout the coursework in their compositions. Students will follow various steps for composition such as choosing a subject and developing it, using contrast and creating tension, and finally leading to a conclusion. Students are asked to select a modern composer and to analyze his/her compositions, and then to apply them in their own works. At the end of semester, students are asked to present their works to fellow classmates and to provide comments to each other.
4 2 COP4046 Post Production2 Extended Major 1-1-0
This course concentrates on audio post-production techniques for film and vidual media. This includes soundtrack editing, mixing and audio effects. We will cover the basics such as microphones, recording and mixing.
4 2 COP4055 MATERIALS AND TECHNIQUES OF THE KOREAN TRADITIONAL MUSIC 2 Extended Major 2-2-0
This course introduces the materials and techniques which had used in traditional Korean music. Students are encouraged to apply those techniques in their own music.
4 2 COP4058 MEDIA MUSIC PRACTICE 2 Extended Major 2-2-0
Application to the latest music or musical composition, creative activity in the computer and electronic devices, such as media or technology media, music practice several methods that you can utilize your own creations or creative arts creative and professional in the form of the experimental approach and the depth of major classes of applications in electronic music.